Revisiting Tahir: All My Rage

Several years ago, I read An Ember in the Ashes by Sabaa Tahir. I had many problems with it: the characters, the plot holes, and the pervasive threats of sexual violence against the female characters. One thing I had no complaints about, however, was the writing itself. While there was so much to dislike about An Ember in the Ashes, the prose was actually good. I just didn’t like the story it was telling. After I was finished with the book, I happily returned it to the library and thought that would be the end of my dealings with Ms. Tahir.

I was wrong. 

When I started my job as a public librarian, there were five copies of All My Rage by Sabaa Tahir on the shelf. I walked past them every day, wondering why we needed so many. One day, I decided to find out. All My Rage received the 2022 National Book Award for Young People’s Literature. The following year, it received the Michael J. Printz Award. Now I was intrigued. I’ve read a few Printz Award winners over the years and liked them all. I had to know for myself if it was worth the hype. 

All My Rage is told from the perspective of three different characters: Muslim teens Salahudin (Sal) and Noor, and Sal’s mother, Misbah. In the small, mostly-White town of Juniper, CA, Sal and Noor dream of changing their lives. Sal’s family owns the struggling Cloud’s Rest Inn Motel. Misbah’s health is failing, and his alcoholic father is no help for either the hotel or his wife. Sal struggles to run the hotel, take care of his parents, and finish his senior year of high school. Things might have been easier if he could talk to his best friend Noor, but she’s been avoiding him since the Fight. 

Noor misses her best friend. She hasn’t talked to Sal since the Fight, which means she also hasn’t spoken to Misbah in months. Noor was orphaned at a young age, and Misbah was like a mother to her. Noor lives with her cruel uncle, who resents her for intruding on his life. She is desperate to go to college and escape Juniper, but her uncle forbids her from even applying to school. 

Finally, Misbah tells the story of her life between Sal’s and Noor’s chapters. She starts with her arranged marriage to Salahudin’s father, Toufiq, and continues with her life in America and raising Salahudin. Her sections are beautifully written, and reveal more of the family’s history. 

All My Rage isn’t just a coming-of-age story. It’s a problem novel. In fact, it’s the problem novel. 

The definition of a problem novel is simple: a teenager has to deal with some kind of societal problem. Some famous problem novels you might have heard of are Speak by Lauire Halse Anderson, Crank by Ellen Hopkins, and Go Ask Alice by “Anonymous” (really, Beatrice Sparks). These books center around social ostracization, sexual assault, and drug use. 

All My Rage deals with physical, emotional and sexual abuse, drug and alcohol dependency, Islamaphobia, parental death, chronic illness, poverty, teen parenthood, racism, bullying, and bias in law enforcement.

To be honest, it felt a little unbelievable at first that Salahudin and Noor could have so many terrible things going on in their life. I had to remind myself that there are real teenagers in the world who deal with all these problems. However, there’s just so many problems packed into the novel there were times when it edged into “misery lit” territory. Fortunately, Tahir’s elegant prose elevates All My Rage and keeps it from feeling like trauma porn.

I think that the various social issues that Sal and Noor have to deal with are handled well, for the most part. For example, Toufiq’s alcoholism is portrayed realistically. Salahudin tries to keep it a family secret, and Toufiq quits and relapses more than once. There were a couple things that I think could have been done a bit better. The racist bullying that Noor finds herself on the end of, for example. It starts out realistically, with subtle things, like the mean girl refusing to pronounce her name correctly. But it gets worse, with no real reason for the bully to be so horrible to her, and ends with a racist tirade the whole school learns about. Most bullying that stems from racism is a lot more subtle, and people who are blatantly racist like the bully typically aren’t that popular.

I also had some misgivings when I realized the novel was also going to tackle the issue of sexual abuse. One of my biggest complaints about An Ember in the Ashes was the excessive and pervasive rape threats in the book, and I wasn’t sure if Tahir would be able to write about this delicate issue well. Thankfully, sexual abuse is handled much better in All My Rage. The novel shows the long-term negative effects on the survivor, even years after the abuse occurred. The survivor is portrayed sympathetically, wounded but not destroyed. Overall, it’s a pretty good depiction of the aftermath of assault. I didn’t love the resolution of this sub-plot, however. I felt like it was just added on at the end, which made me feel like it was only included in the book to increase the character’s suffering.

At the same time I started All My Rage, I was reading another novel as well, that I’ll call Everything Bad Happens to Jimmy in lieu of its actual title. This is another heavy book, which starts with bad things happening to Jimmy. It gets worse from there, gets slightly better, and then gets worse again. Over halfway through the novel, another terrible thing happened to Jimmy, and I was just so tired of it. I put the book down and never picked it up again.

But I finished All My Rage, even though there were times I put the book down for several days because it just got too sad. So, why did All My Rage succeed where Jimmy failed? 

Let’s start with the opening. Jimmy opens in media res with our hero already in a crisis. It’s an attention-grabbing scene, and we feel for Jimmy because he’s a vulnerable person who’s been put in a dangerous situation through no fault of his own. But we don’t really know who Jimmy is before this traumatic event happens to him. As more and more bad things happen to Jimmy, we don’t see much of who he is beyond his rage and pain. The things he’s gone through aren’t just part of who he is – they become almost all the reader sees of him. 

All My Rage gives us time to get to know the main characters before the bad stuff in their lives happens. We get a look at who Saluhdin and Noor are: their struggles, their wants, their family lives, and their relationship with each other. We learn about who they are before everything goes pear-shaped, and that lets us get attached to the main characters. We want them to succeed because we like them and relate to their struggles. It took me a long time to finish this book, but I read the whole thing because I cared about Salahudin and Noor and wanted to see them (hopefully) earn a happy ending. 

Noor and Sal’s ending is earned, rather than just something they stumble into. This is another area where All My Rage succeeded while Jimmy did not: the choices the characters make. Jimmy doesn’t make deliberate choices so much as he reacts to the situations he’s in. The current problem or solution is almost never caused by anything Jimmy chooses. Things just sort of happen to him, with an increasing amount of horribleness. 

Salahudin and Noor are put in difficult situations and make deliberate choices based on what they think will help improve their circumstances. They make mistakes, and then must deal with the consequences of their actions. They are actively involved in the course the story takes, and aren’t just being pushed around by events that are out of their control. They drive the plot, rather than the plot driving them.


But finally – and maybe most importantly – All My Rage delivers on the promise of the premise. 

“The promise of the premise” is a phrase that originates from Save the Cat! By Blake Snyder. When you read a book or watch a movie, you usually have an idea of what you’re getting into. That’s the premise. The premise of The Hunger Games, for example, would be “teens compete in a fight to the death.” Harry Potter would be, “wizard boy battles against evil in a magical world.”

The premise of Everything Bad Happens to Jimmy was “an urban fantasy set during a historical conflict.” The book did not live up to that premise. The historical conflict was a big part of the book, and there were some fantasy elements, but not nearly enough. Mostly, it was terrible things happening to Jimmy, with magical elements few and far between. The book I was reading was not the book that I had signed up for. In short, this novel did not deliver on the promise of the premise. When that happens, sometimes I can adjust my expectations and enjoy the story the author actually wrote, but with the book’s other aforementioned problems, I gave up.

For All My Rage, it would be, “two Muslim teens struggle to overcome difficult circumstances in a small town.” That’s what I expected from this book, and that’s what I got. Tahir fulfilled the promise of the premise. 

As difficult as All My Rage could be to read, I kept going. The novel works because I sympathize with Salahudin and Noor. I care about these characters and I was invested in their lives. When they make mistakes, I don’t hate them for it. I feel for them, two kids struggling to keep their heads above the water when everything around them threatens to pull them under. The beautiful prose also helps with some of the darkness in this book and takes away some of the sting, as do the Misbah intervals. 

All My Rage isn’t my favorite book. It’s hard to get through, and it falls a little flat when it comes to some of the supporting characters. That said, I think it’s worth the read. I’ve talked about representation in media a bit before, and All My Rage offers readers a look into the life of two Muslim teenagers. Their faith plays a role in who they are, but it’s not their defining characteristic. Salahudin and Noor are complex characters that offer “windows and mirrors” to the novel’s readers. They can give readers a look into their lives as Middle Eastern-Americans, Muslims, and as struggling teens. Other readers who are Middle Eastern, or Muslim, or a teen going through a tough time can see themselves reflected back in the pages of this book. 

The writing itself was beautiful, and essential to the book. With so many topics being tackled, All My Rage could have become a clunky problem novel. Instead, Tahir has woven a multi-layered coming-of-age story that’s worthy of praise. If you like emotional, character-driven books, give this one a try. Just keep the tissues handy. 

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