by booksoverlookedblog

To Sleep in a Sea of Stars

First of all, thank you to everyone who read my work for Flash Fiction Month! I don’t normally post my original fiction online for various reasons, but FFM is special. I will be taking down most (if not all) of my stories after August, so please read them while you have the chance!

We now return you to your regular book rants.

This review contains spoilers for To Sleep in a Sea of Stars by Christopher Paolini. I’ve written a quick chapter summary here.

A few years ago, I re-read one of my favorite books as a teenager: Eragon, by Christopher Paolini. While my fifteen-year-old self had loved it, adult me was very aware of its flaws. I determined that Paolini was great at worldbuilding and description, but wasn’t great at writing characters. Paolini was a teenager when Eragon was published, and still wet behind the ears when it came to his craft. It’s now been twenty years since Eragon first came out (cripes, I’m old!). In my review, I wondered what a novel by a more experienced Paolini might look like today.

Well, in 2020, we got our answer. And like most things from 2020, I didn’t like it.

I think I’m in the minority in this case, though. To Sleep got good reviews overall, and there are plenty of fans online who really like this book. I generally like sci-fi, but To Sleep just wasn’t for me.

To Sleep in a Sea of Stars is Paolini’s first adult novel, and his first science-fiction book. It’s a whopping 800+ pages of space, aliens, futuristic technology…and a decent amount of fantasy elements for an otherwise “hard”* sci-fi.

Before we get into the novel, I want to talk about the physical book itself. I don’t pay a ton of attention to how books are marketed, but its pretty obvious they were trying to sell this one on Paolini’s name alone. The spine only has “PAOLINI” on it. The title isn’t on there. It’s pretty common for popular authors to have their names featured prominently on book spines, sometimes in a larger font than the title. But they all still include the title.

With that said, let’s get into what’s between the covers. I have tried to get away from nit-picking books to death, I still have included one-sentence reviews/reactions to each chapter at the bottom of this post, because they’re too much fun for me not to do.

The plot is very dense, to the point where writing a spoiler-free review is kind of impossible. I wrote a companion post for this review, with brief (and hopefully humorous) summaries of each chapter for those who haven’t read the book, or read the book but forgot some of it. Can’t blame you there – there’s a lot.

To Sleep in a Sea of Stars is a galaxy-spanning saga of alien invasion, mysterious and powerful artifacts, and high-tech space battles. Kira Navarez is a xenobiologist who travels with a crew of scientists to uncolonized planets to see if they could be made habitable. After she falls into alien ruins on a mission, a complex piece of alien technology becomes attached to her. The xeno encases her body, and is eventually responsible for the death of most of her crewmates, including her fiancé, Alan.

Then things get complicated.

The story moves quickly, and has lots of twists and turns. In an interview that’s available in some editions of the book, Paolini said that he was essentially trying to write an entire series in the span of one novel. It justifies the length, and it really does feel like he’s managed to succeed in telling an epic story from beginning to end, without needing to break it into multiple parts.

There are things that I both liked and disliked about this. First, it kept the plot moving. In my posts about Eragon, I occasionally complained about filler chapters, but I don’t think there were any here. There were times when it was hard to put the book down because I wanted to know what happened next.

On the other hand, sometimes it moved too fast. It meant that I didn’t have time to get to know or care about the characters (often before they met, or nearly met, their dooms) in the start. There was also no room to breathe, especially in the beginning. Humans, both real and fictional, need time to rest. When we only see characters in a crisis – which was the majority of the book – we see how they react to the situations they’re in, but not necessarily who they are. Too often, the characters often felt like reaction, rather than fully fleshed out people. Paolini does a better job with character development than he has in his previous novels, but sometimes it felt forced, like a chapter where Kira systematically learns the backstories of all her crewmates.

Then there was the way the plot itself was constructed. As I mentioned, there are a lot of twists and unexpected events throughout. It keeps the story unpredictable, and the reader curious about how the characters will solve the newest curveball that’s been thrown their way.

But it also meant that some story arcs felt pointless, or like padding, once they concluded. For me, the most aggravating instance was when Kira and her new crew are searching for something called the Staff of Blue. No one is really sure what the Staff is, but Kira knows that it’s an important weapon that will help humanity combat the invading alien race nicknamed the “Jellies.” For more than 100 pages, Kira et al. search for the Staff, travel to a remote location to finally retrieve it, and engage in a deadly battle with the Jellies (and an even scarier creature, the Seeker). They find the Staff, but it’s broken in the battle and rendered useless.

Some readers might think, “holy crap! How will our heroes save the galaxy now?!” and read on feverishly. As for me, I was so frustrated that I just put the book down and refused to open it for two days. A “holy crap!” moment should make you want to read on, but I was annoyed that so much time had been devoted to something that ultimately had very little bearing on the actual plot.

This is also probably a good time to point out another issue I had with the book: excess. It seems a bit obvious when talking about an 800+ page book. Of course not every scene has to contribute to the overall story or character growth, but there were some spots that were just unnecessary. My first gripe with this was the character Inarë. Inarë is a refugee of the intergalactic war Kira inadvertently caused, and she and Kira meet on a ship taking refugees away from the fighting. Inarë is in the book for one or two scenes, described in a large amount of detail, and has a cat. She’s pretty weird and gives Kira cryptic advice about the journey ahead of her. Anyone who’s read Eragon could tell you that she’s pretty transparently Angela from that series, morphed into some sort of space witch. This isn’t just my assumption, either. Paolini even says so in the acknowledgements at the end of the book.

[T]hose of you who are fans of the Inheritance Cycle may have noticed some references to the series in To Sleep. You weren’t imagining things. And yes, Inarë is who you think she is.

As I mentioned in my post about The Ballad of Songbirds and Snakes, I don’t mind callbacks to an author’s previous works if it’s something small, or if it feeds into the plot later. However, Inarë has a few pages to herself, and except for her final words to Kira popping up occasionally, she had no overall bearing on the plot. In fact, the arc words that Inarë gives Kira (“Eat the path”) could have been said by nearly anyone in her crew and still have the same effect. When I see something like this, to me it feels more like fanservice and the author patting themselves on the back.

Towards the end of the book, I also wondered if a very large part of the plot was even necessary. There’s a subspecies of Jellies that the humans have to fight against, called “nightmares,” or the Corrupted. But there was already so much going on in the book without them. Space battles, ancient alien lore, a large cast of characters and almost non-stop action, reading about the nightmares and their progenitor monster, the Maw, was just exhausting. A book only about the humans and Jellies would have been interesting enough, but for me, this was too much.

It also suffered from the same ending fatigue present in movies like Return of the King. First, Kira kills the evil overlord of the Jellies. Then, she destroys the Maw. Then, she must go and destroy seven copies of the Maw. That’s seven copies that were never mentioned prior to any of the huge space battles in the climax of the book.

Then there are the appendices, which include the science behind faster-than-light travel and ship-to-ship combat in space, a timeline that covers over 500 years, and a glossary. Of all these, it’s the glossary that sticks in my craw. I complained about excess before, but there’s also the problem of absence of information, and the glossary exemplifies both.

I might start out by saying that I didn’t know that there was a glossary in the book at first, and I only found it by accident. I don’t think that there’s anything inherently bad having a glossary included in a fiction book, especially in sci-fi and fantasy stories. At the same time I was reading To Sleep, I was also reading Mastiff, by Tamora Pierce. Like To Sleep, Mastiff also has a glossary that defines the made-up words in the book, but you can also figure out what they mean in the context of the scene.

To Sleep‘s glossary doesn’t work like that. There are times when it feels like the reader was expected to have read it before starting the book.** This is best exemplified in the case of the “ship mind.” There’s almost no context for what a ship mind actually is for the first two-thirds of the book. As I read it, I was so confused about what ship minds actually were. Were they complex AI? Human-AI hybrids? Until I accidentally found the glossary, I had no idea. It turns out that ship minds are essentially augmented human brains, removed from their bodies, that sit in sarcophagi on board their ships, overseeing all the ship’s functions. This is such a huge thing, and totally different from anything I had imagined. Props to Paolini for originality, and for my new nightmares. But I really shouldn’t have had to accidentally find a glossary or wait until the near-climax of the book to see a reference to a sarcophagus housing a human brain sitting in a nutrient bath.

To Sleep takes great care to show the reader how things like faster-than-light travel and combat in outer space are possible. At the same time, it also uses a lot of fantasy tropes. I know, I know: “any sufficiently advanced technology is indistinguishable from magic.” And I can buy that when it’s something like two humans from a highly advanced technological civilization using highly advanced technology to blow up aliens and glibly referring to it as “magic.” It becomes harder for me to take when the xeno attached to Kira becomes able to do almost everything and anything. Kira first used it as a weapon and armor, but by the end of the book, she uses it heal characters with devastating wounds and build entire living space stations.

Drawing upon the Seed’s banks of encoded knowledge, she began to build the needed machines, constructing them from the atomic level up. With energy gathered from the panels, she sparked a burning sun inside herself: a fusion reactor large enough to drive the biggest UMC battleship. With energy from the artificial star, she started to manufacture antimatter–far more than the inefficient techniques of the humans or the Wranaui allowed for. The Old Ones had mastered the means of antimatter production before either species had even come into being.

p. 791

Even though this takes place after the second (sigh) major battle of the climax, it’s still quite a lot to take in.

That paragraph also shows another fantasy trope present in the novel. You probably noticed a reference to the “Old Ones.” The Old Ones were a sentient species that predate the existence of humans and the Jellies. They made the xeno that attached itself to Kira, along with the Staff of Blue, and the Great Beacons, which gave humanity a huge leap forward, technologically speaking. In other words: all that sufficiently advanced technology came from a species that was at least over 300,000 years old.

I don’t mind the “old stuff is more powerful” trope in fantasy works. It can be a bit tiresome at times, but it usually fits with the setting and the feel of the story. Ancient artifacts and mysterious ruins are part and parcel for fantasy stories. Sci-fi (especially “hard” sci-fi) is more focused on technology and what could be if any number of events or scientific discoveries occur. Sci-fi focuses on the future: how technology and/or societal changes have changed our lives, for better or for worse. A book like To Sleep should be one that dreams of humanity reaching the stars – and much more – through its own ingenuity and innovation. Relying on ancient artifacts from a vanished civilization doesn’t feel like it’s reaching out into the future. It makes it feel like all of humanity’s achievements are small, and that there’s no way they could ever create what the Old Ones have.

Throughout my review of Eragon, I had to compliment Paolini on his descriptive abilities, as well as his world building. As before, the worldbuilding is thorough, and it really does feel like he’s created a whole galaxy full of humans and aliens. The characterization could be weak at times, but the crew of the Wallfish all had distinct personalities that made them stand out. Falconi was probably my favorite character, but I had trouble getting to know who Kira was as a person.

I know I can focus too much on the negative, but I actually really did like the aliens in this book. In fiction, it’s common to have sentient, non-human races look and act quite…human. The Jellies only resembled humans in that some of them were bipedal. They’re sea-based creatures inspired by octopi, complete with tentacles that can change color. The Jellies are genderless and have a hive mind, which has been used to control them. They communicate using smells, called nearscent. They have vastly different lifecycles than humans, from birth to death. In short, they’re an alien species that feels refreshingly alien. While the book sometimes felt like it was bloated, the story moved fast, and changed in ways I didn’t predict.

Overall, I did like some of To Sleep – but not enough to pick up the next book in the series, Fractal Noise.

*The quotation marks aren’t meant to be pejorative. I don’t like the terms “hard” and “soft” to describe sci-fi, but I’m using it in this post because it’s easily understandable. Read more on the debate between “hard” and “soft” sci-fi at Tor.com
**Not recommended. This was how I accidentally spoiled what the Staff of Blue was for myself.

If you want more nit-picking, read on for (mostly) one-sentence chapter reviews. Lots of spoilers follow.

  • Chapter 1: A chapter centered around a romantic relationship, and I’m not at all convinced Paolini can write romance.
  • Chapter 2: I’m really trying to avoid comparing this book to Mass Effect, but let me have this chapter.
  • Chapter 3: Paolini’s love affair with thesauri continues, though isn’t as prevalent here than his Eragon books.
  • Chapter 4: I didn’t know enough about any of these characters, even Alan, to be sad when they died.
  • Chapter 5: Kira’s character is still made up of her reactions to things, rather than actual personality, but I’m finally getting into this book.
  • Chapter 6: Okay, I’ll admit it, I’m enjoying this.
  • Chapter 7: So far I’m not liking Kira, but I am excited for the the pew-pew space battles I’ve been waiting for.
  • Chapter 8: I understand that Kira is scared, but give us a moment to feel SOMETHING about what it’s like to be flung out in space.
  • Chapter 9: Really didn’t need a paragraph dedicated to a woman inspecting her vagina, thanks.
  • Chapter 10: Kira is just kind of numb, which is disappointing, because I was hoping to get some fantastic descriptions of space flight, but instead I just get blah.
  • Chapter 11: So…are ship’s minds humans or AI or what?
  • Chapter 12: I think Inare is supposed to be an interesting character, but she’s just a clone of Angela from Eragon, complete with cat.
  • Chapter 13: Another instance that had the possibility of being heartbreaking, except Kira is just worried about…who will find her attractive after all the trauma she’s gone through. #MenWritingWomen
  • Chapter 14: The Soft Blade is responsible for the death of Kira’s fiancé and crewmates, but Kira never seems conflicted about her gratitude towards it for keeping her alive.
  • Chapter 15: Sparrow jumping into action to save a kid is heroic, but I don’t know enough about any of these characters to care if they live or die.
  • Chapter 16: It’s clear that Hwa-Jung takes her job seriously and knows the risks of their current situation, so she should not be arguing with the captain about repairing the ship pronto.
  • Chapter 17: Paolini forgot about his love affair with the thesaurus and has begun a love affair with parentheses.
  • Chapter 18: I think the Entropists are pretty cool so far, but their shared dialogue is really annoying.
  • Chapter 19: I don’t know what a construct is any more than I know what a ship’s mind is.
  • Chapter 20: According to the characters, Kira can do no wrong, even after she’s done a lot of wrong.
  • Chapter 21: Kira was a biologist long before she was part of this story; she should be pissed that the Wallfish crew effectively destroyed an entire planet’s ecosystem, not amused.
  • Chapter 22: It just really seems like a bad idea to me to routinely send every member on a spaceship into cyro.
  • Chapter 23: Kira’s grief over the death of her fiance was barely present to begin with, but now it’s just been hand-waved away.
  • Chapter 24: Why the hell is anyone letting a teenager go on a potentially dangerous alien planet, when there are actual space marines who are much better equipped and qualified to do this mission?
  • Chapter 25: All right, I’m here for planetary exploration!
  • Chapter 26: And now the Entropists are doing actual magic.
  • Chapter 27: One thing that bugs me: there’s never any room to breathe in this book, and the action points are all the same. Solved something? Jellies attack! Go to a new planet? Another attack!
  • Chapter 28: This is just trippy.
  • Chapter 29: If the nightmares were created from the Jellies only about six months before, why are the nightmare ships so much better than the Jelly ships?
  • Chapter 30: Falconi’s advice to a shattered Kira: stop feeling guilty about this intergalactic war that you started. And Kira just…does. No struggle to get over it, no lingering guilt. Owning it and trying to fix it is far more heroic than going, “I broke everything and I don’t feel bad about it.”
  • Chapter 31: This is frustrating and Kira is frustrating.
  • Chapter 32: Kira and co. have every reason to dislike the UMC, but the UMC also has every reason to arrest and quarantine them.
  • Chapter 33: So…the Soft Blade can just be used to make vehicles now? And grow to ridiculous sizes?
  • Chapter 34: Can’t say I didn’t see Gregorovitch going off the deep end coming, but for awhile I thought it would be a lot build of about his mental state for nothing.
  • Chapter 35: This is the first time the reader gets a clear indication of what a ship mind actually is, without looking in the glossary.
  • Chapter 36: I like the Jellies/Wranuai as a species, though I’ve never been a fan of “hive minds” when it comes to fictional species.
  • Chapter 37: And now the Soft Blade can fix neural damage, because of course it can. Sex between Kira and Falconi wasn’t unexpected, but it was unintentionally funny for me to read.
  • Chapter 38: Got one big evil alien you need to destroy? That’s not enough, let’s add ANOTHER final boss to the mix!
  • Chapter 39: Ctein is…kind of cool, actually.
  • Chapter 40: The fight between Ctein and Kira is ridiculous and cinematic, and I liked it for that. Embracing the enormity of fighting a huge monster in outer space.
  • Chapter 41: I would like Kira’s unconventional defeat of the Maw via forgiveness much better if the theme of forgiveness or compassion was anywhere else in the book.
  • Chapter 42: This chapter is so cool that I can ignore how annoyed I am that Kira is basically a god now for a little bit.
  • Chapter 43: This book could have ended twice already, but now Kira has to save the day from seven other big bads that were never mentioned before. If you really wanted a third villain to show (again) that Kira is all-powerful, why not have her face off against the deadly and nigh-indestructible Seeker, who got loose ages ago?
  • Chapter 44: All powerful Kira is uninteresting and it ruins her character development.
  • Chapter 45: Fucking WHAT?! You tack on one final problem for God Kira to solve and it doesn’t even end? No actual conclusion about the seven extras Maws? It just ENDS?!
by booksoverlookedblog

To Sleep in a Sea of Stars: A Scripted Summary

This is a companion post to my review for To Sleep in a Sea of Stars by Christopher Paolini.

When I’m reading books that I find challenging, especially classics, I sometimes boil each chapter down to its most basic plot points, and format my notes as a very short script. It’s fun, and it helps me keep track of things. To Sleep in a Sea of Stars has a dense plot with a lot of elements to it, so much so that giving an honest, spoiler-free review is kind of impossible. So, for those of you who haven’t read it and don’t plan to, or maybe you’d like a refresher, this is for you. If you are interested in reading the book and want to avoid spoilers, skip this post.

Part 1: Exogenesis

Chapter 1: Dreams

Alan: Will you marry me?
Kira: Yes!
(An awkward sex scene happens.)

Chapter 2: Reliquary

Kira: I’m going to check out these weird ruins.
Alan: Don’t.
Kira: I’m doing it. Neat, alien ruins! Alien space dust! *falls unconscious*

Chapter 3: Extenuating Circumstances

Crew: ‘Sup, Kira. You got a weird xeno organism enveloping your body so you’ve been in cryo sleep a week. Also we’re on a military ship and they’re investigating what happened at the ruins.
Kira: Damn, we lost our bonus checks. This is my biggest concern.

Chapter 4: Anguish

Kira: Well, here I am in the med bay.
Xeno: *kills all of Kira’s friends*

Chapter 5: Madness

Major Tschetter: Well, we can’t put you in cryo sleep because of the xeno. Dr. Carr will examine you and the xeno.
Carr: *does intense and invasive tests on the xeno*
Xeno: Haha, you can’t destroy me muthafuckas!!
Kira: It’s not working, stop.
Carr: *blasts Kira with lasers* Nah.
Kira: Ow. *rips giant laser machine off wall* We’re done here.

Chapter 6: Shouts and Echoes

Carr: Nothing is working, we can’t get the xeno off of you and you’re dangerous, so we’re gonna throw you out of an airlock.
Kira: So…are you gonna vent me or what, ’cause I’ve been in here forever?
Aliens: *attack ship*

Chapter 7: Countdown

Aliens: Pew pew!
Kira: I can understand what the aliens are saying?!
(A hole gets blown in the ship’s hull, which sucks Carr, Kira, fragments of the xeno, and an alien out into space.)

Chapter 8: Out & About

Kira: Ack, I’ve been flung into space space, but the xeno is protecting me. No, you don’t get to read about the wonder or terror of going into the void, the mystery of which has inspired humankind since the dawn of time. All you need to know about this is that the xeno is cool. Anyway, I’m in a shuttle now. Hope I don’t die.

Chapter 9: Choices

Kira: Ship, send a distress signal.
Ship: Can’t.
Captain Tschetter: Go to 61-Cygni.
(Military chatter happens.)
Kira: Gonna set the ship on a course and examine my entire body. Here’s a paragraph to let the reader know that the xeno is everywhere, but it’s still important to know that I’m “smooth as a doll*” between my legs. In case anyone was wondering.

Chapter 10: Exeunt I

Kira: Xeno, thanks for saving my life even though you killed my friends and fiancé. We can communicate now. Its name is the Safe Blade it does weird stuff. Now I’m gonna float in space for awhile.

Part II: Sublimare

Chapter 11: Awakening

Vishal: Welcome to the spaceship Wallfish. I’m ship’s doctor. We found you in your shuttle and rescued you.
Trig: I’m the plucky team mascot.
Falconi: I’m the captain. And we have a ship mind. His name is Gregorovich and he’s a little crazy. We’ve also got Nielson, Hwa-Jung and Sparrow.
Kira: That’s a big deal.
Me: What’s a ship mind and why is it a big deal?

Chapter 12: Wallfish

Kira: I’m hanging out with the refugees on the Wallfish who are escaping the alien war I started.
Inare: I’m wacky, have a cat, and give cryptic advice. Does this remind you of anyone?
Kira: I’m getting flashes of information about the Jellies but I don’t understand it.
Veera: We’re entropists. We’re very smart
Jorrus: and we have more advanced technology
Veera: than the rest of human society
Jorrus: and we talk like this
Veera: all the time.
Kira: I can understand the Jellies’ language, I need to get on one of their ships and stop them.

Chapter 13: Assumptions

Gregorovich: Sup meatbag.
Kira: Falconi, we need to change our route so I can investigate the Jellies.
Falconi: Nah.
Kira: There could be a lot of money in it for you.
Falconi: ‘kay.
Kira: Also, I finally got a chance to look at myself. I’ve been through a ton physical and mental trauma I’ve been through, including being responsible for the death of my fiancé…BUT WHO WILL FIND ME ATTRACTIVE NOW?!
Falconi: Heads up, Jellies coming our way

Chapter 14: Kriegsspeil

Trig: I used to live on a space station and it sucked.
(Pew pew space battles between the Jellies and UMC aka the space army)
Falconi: Okay, the Jelly ship is damaged, let’s check it out.

Chapter 15: Extremis

Kira: Okay, we’re going on this ship. It’ll probably be dangerous. Who’s in?
Veera: Yes
Jorrus: We are in.
Wallfish Crew: Let’s do this!

Chapter 16: Near & Far

(on board the Jelly ship)
Everyone: pew pew!
(Trig gets captured immediately)
Jellies: The Soft Blade is here!
(Kira grabs Trig and gets the hell out of dodge. A Jelly gets onto the Wallfish and holds a child captive. Sparrow saves the kid and is almost killed. Using the Soft Blade, Kira kills the Jelly.)

Chapter 17: Icons & Indications

Sparrow: Ow. I’m gonna live, but this is gonna hurt.
Kira: Gonna look into the information we got from the Jelly ship. I learned a little about their past and about this crazy powerful weapon called the Staff of Blue. We’ve gotta get it before the Jellies do. I also don’t know anything else about it.
(A Jelly gets onto the ship again, and is killed.)

Chapter 18: Nowhere to Hide

Kira: I’m searching star charts until I can find the one I saw in my vision that will lead us to the Staff of Blue.
Nielson: Ah, shit, more Jellies incoming.
Kira: No, those aren’t Jelly ships. It’s some new kind of alien.
(The new alien ships start firing.)

Chapter 19: Graceling

Falconi: Okay, we’re offloading the refugees here.
Refugee: Ah feck off yah hatchet-faced bint. An you, let me go, yah walloping, misbegotten graceling.*
(Kira almost kills the the offensively Scottish refugee with the Soft Blade)
Kira: Shit.
Veera: Kira, take this token
Jorrus: It will allow you to
Veera: Go to our home base if you
Jorrus: Don’t want to help the UMC
Inare: Eat the path.*
Falconi: Well, we’re going to be questioned by the UMC after our excursion on the Jelly ship.
Kira: Let’s do this.

Chapter 20: Darmstadt

UMC Officer Akawe: Tell me everything that’s going on.
Kira: I understand the Jellies’ language and they’re after me because I have the Soft Blade.
Akawe: Well, shit. And there’s another alien species called the nightmares that are attacking humans and Jellies.
Kira: We need to find the Staff of Blue to defeat them.
Akawe: Let’s do that then.

Chapter 21: Exposure

Falconi: Space marines, all aboard to find the Staff of Blue!
Jorrus: We are
Veera: Here too for
Jorrus: The mission.
Falconi: Kira, go see Sparrow to get training so you don’t accidentally stab anyone again.
Veera: We’ve discovered
Jorrus: The Jellies and nightmares
Veera: Are not the same
Jorrus: Even if they look similar.

Chapter 22: Lessons

Kira: The Soft Blade eats through stuff while I sleep, like my bed and blanket.
Sparrow: Time for training. I used to have a military career until things went sour. But I’m gonna use that experience to train you to get the Soft Blade to do what you want.
(The crew prepares the ship for a long FTL journey)
Kira: Since we’re all working together, I have a right to know why you guys aren’t allowed on the Planet Ruslan.
Falconi: Fair enough. We introduced an invasive species to the planet and it caused severe damage to the ecosystem.
Kira: Ha! That’s hilarious!
Me: Kira, you are a BIOLOGIST.
Sparrow: Everyone’s getting ready for cyro sleep. Since you can’t go into cyro anymore, Kira, make sure you practice with the Soft Blade while we travel.

Chapter 23: Exeunt II

Gregorovich: Just you and me while I power down the ship.
Kira: Yep. Gonna mostly hibernate and get up once a week to train. I’ll have some weird dreams/visions too.
(Three moths pass.)

Part III: Apocalypsis

Chapter 24: Past Sins

Kira: We’re in the star system where the Staff should be. We just need to find the right planet now. Oh, there it is.
Nielson: Have some of my backstory.
Sparrow: Let’s do more training and see how far you’ve come. Have some of my backstory too, while we’re at it.
Trig: And some of mine, too!
Kira: Let’s find the Staff, all of us. That means me, the crew, the space marines, and Trig, who is a teenager. Yes, Trig, you’re coming with us, even though we have highly trained space marines who are trained for this kind of thing and are also grown-ass adults.

Chapter 25: A Caelo Usque ad Centrum

Kira: Let’s get down to his planet and find the Staff. And here come the Jellies to attack us. Again.

Chapter 26: Shards

Kira: We finally landed on the planet. It’s full of alien ruins, which is pretty cool.
(Jelly ships keep appearing. It’s a pew pew race to find the Staff. Kira and Falconi finally find it. It’s broken. Nightmares appear.)

Chapter 27: Terror

(Jellies attack humans. Trig is super wounded.)
Tschetter: We come in peace! Yes, I’m still alive, and I’m with the Jellies now. The nightmares are attacking Jellies and humans and we’re kinda screwed without the Staff. The xeno is an artifact from The Vanished, a powerful ancient alien race that gave them and us a huge leap forward in technology. The nightmares are after it too.
(A new alien, the Seeker, breaks loose.)
Kira: This is super bad! Run!

Chapter 28: Sic Itur ad Astra

(The Seeker is basically unkillable. It is scary and awesome and will never be mentioned again once our heroes get away.)
Tschetter: I’m sticking with the Jellies. We have a chance to make peace between us and them. Now get on their ship, the Wallfish can’t land here!
Falconi: I cannot believe we’re doing this.
Kira: And here come more nightmares to attack us.

Chapter 29: Into the Dark

Nightmares: Join the Maw!
Kira: Oh shit! This crazy vision I just had showed me that the nightmares are a freakish combo of Jellies and Dr. Carr from from way back in chapter five. They serve the Maw, which I sort of created, and live only to feed it. Gotta cut my own arm off now to escape from a nightmare.

Chapter 30: Necessity

Falconi: We have a friendly Jelly on our ship now, but right now we need to focus on getting the hell out of dodge. But the Wallfish isn’t fast enough to outrun the Jellies or nightmares.
Kira: Maybe Itari, the Jelly, can mess with our FTL drive and make it go faster.
Itari: Sure can. Since you have the xeno and the Staff of Blue is broken, you’re now our best weapon against the Jellies.

Chapter 31: Sins of the Present

Falconi: Why are the nightmares bothering you so much?
Kira: Because I accidentally made them, killed my friends, and started this war.
Falconi: Stop feeling guilty.
Kira: ‘Kay.

Chapter 32: Exeunt III

Falconi: The Jellies and nightmares are having a hard time finding us. We’re going to the Sol System.
Kira: Cool. Akawe and I are going to interview the Jelly.
Itari: Here’s some of my people’s history and facts about our biology. But the big news is we have an evil alien overlord named Ctein. The friendly Jellies want to destroy him and free our people.
(The crew goes into cyro sleep for the journey.)

Part IV: Fidelitatis

Chapter 33: Dissonance

(The crew arrives in the Sol System.)
Falconi: Holy hell, it’s a war zone.
Nielson & Vishal: Gotta see if our families are okay.
UMC: Now that you’re in the area, we need to talk to you. And by talk I mean imprison.

Chapter 34: Orsted Station

(The UMC interrogates the Wallfish crew.)
UMC Stohl: Well, fuck. Anyway, thanks for the info. We sent a bunch of space marines to kill everyone at the upcoming meeting between humans and Jellies where they might be able to make peace and take down Ctein.
Kira: Fuck that, I’m getting out of here.

Chapter 35: Escape!

(Kira breaks out of her cell and rescues the crew. The Soft Blade grows to an enormous size to protect everyone during the escape. They get back to the Wallfish.)
Jorrus: My hive mind with Veera broke. She can’t talk right now.
Me: Thank fuck.
Falconi: Cool, more nightmares are here.

Chapter 36: Necessity II

Falconi: This is a lot. Crew, you up for working with friendly Jellies and taking down Ctein?
Crew: Yep.
Gregorovich: Nope.
(Gregorovich locks down the ship. Hwa-Jung shuts him down. The Wallfish resumes normal fuctionining.)
Kira: Well, that was a thing. Let’s move on with our kill Ctein plan.

Chapter 37: Exeunt IV

Kira: I’ll try talking to Gregorovich. Yeah, he’s still pretty crazy. Time to hibernate while we make another long journey to the meeting spot.

Part V: Malignitatem

Chapter 38: Arrival

Kira: Daaaamn the Soft Blade grew crazy plants while I was asleep. It even grew a new arm for me.
Falconi: I sent out a warning that the UMC is coming, but it’s going to take awhile before we hear back.
Itari: Here’s some more facts about my species and our history.
Falconi: Kira, let’s get to know each other better.
Kira: Okay.
Falconi: Well, we’re close to the meeting spot, and we’re not alone.

Chapter 39: Necessity

(The crew wakes up from cyro. The friendly Jellies have arrived.)
Tschetter: I’m still alive. We lost track of the Seeker and it’s just flying around in space now, doing whatever it wants. If you think this will be resolved later in the book, you’re wrong. Anyway, Ctein is close by, and we’re gonna be sneaky sneaks, infiltrate his ship, and kill him.
Falconi: Okay, crew, this is a lot. We sill doing this?
Crew: Yep.
(The UMC arrives.)
UMC Klein: We’re actually here to kill all the Jellies, including the friendlies. But I guess you guys can give killing Ctein a go first.

Chapter 40: Integratum

Crew: We’ll be facing off against Ctein in 7 hours. Who knows if we’ll live or die. If only we had Gregorovich here, we need him.
Kira: I bet the Soft Blade could fix his brain. (The Soft Blade fixes brain damage, because of course it does.) I’m going to talk to him. Then I’ll get to know Hwa-Jung better. Now I’ll go have sex with Falconi. Falconi, how brave are you?
(As it turned out, he was very brave. Very brave indeed.*)
Kira: I had another vision. I learned that the Soft Blade is a Seed, meant to create life, not be used as a weapon.
Falconi: Let’s go kill Ctein.

Chapter 41: Ferro Comitante

(The Wallfish attacks Ctein’s ship. The Jellies from Ctein’s ship board the Wallfish. Action happens.)
Gregorovich: I’m back and better than ever at a crucial moment to save the day! Let’s ram our ship into Ctein’s.
Falconi: Let’s go kill Ctein.
Gregorovich: The nightmares are here. And they’ve brough the Maw with them.

Chapter 42: Astorum Irae

Kira: Oh fuck.
Falconi: Let’s focus on killing Ctein.
(They navigate Ctein’s ship with Itari’s help. There is action. Jorrus is killed. The Soft Blade becomes insanely big to protect the crew.)
Kira: Everyone on my side is incapacitated. Guess I have to face Ctein on my own.
Ctein: I see you.*

Chapter 43: Sub Specie Aeternitatis

(Ctein and Kira have an cinematic and pretty awesome space battle. Kira kills Ctein.)

Chapter 44: Exeunt V

Falconi: The Maw and the nightmares are coming, and our weapons aren’t hurting the Maw at all.
Kira: Maw, leave my friends alone and I’ll join you. The Soft Blad will feed you life forever.
Maw: Om nom nom
Kira: I forgive you.
(With the magical act of forgiveness, Kira and the Soft Blade absorb the Maw.)

Part VI: Quietus

Chapter 45: Recognition

(Kira is basically a god now and builds a space station out of nothing.)

Chapter 46: Unity

Kira: I made this space station for humans and Jellies to live peacefully together. I also healed Trig and made this thing called the Staff of Green which will basically grow infinite food. But I also learned that there are somehow 7 copies of the Maw running around in space.

Chapter 47: Decession

(Kira and the crew say their goodbyes.)
Kira: I’m off to find the other copies of the Maw. Y’all be good while I’m gone.

Chapter 48: Exeunt VI

(Kira searches for the Maws. She learns her family is alive after everything that’s happened. She goes to hibernate in her ship until she finds the other Maw copies.)

The End.

*Actual dialogue/narration

by booksoverlookedblog

Disability Pride – Mini July Book Recs

July is disability pride month! While I don’t have the time to do a full book recommendation list, here are a couple picture books to check out this month.

Nonfiction

We Want to Go to School! The Fight for Disability Rights by Maryann Cocca-Leffler and Janine Leffler.

In the United States, there was a time when children with disabilities weren’t allowed to go to public school. In 1971, seven families decided to change things. Parents and kids fought for a change, all the way up to the Supreme Court. In the landmark case Mills v. Board of Education of the District of Columbia, millions of kids with disabilities were finally given the right to a free, public education. Mills v. Board of Education also helped pave the way for other disability rights legislation, like the Americans with Disabilities Act.

Fiction

What Happened to You? by James Catchpole. Illustrated by Karen George.

Joe’s having a great time pretending to be a pirate, dodging sharks and crocodiles, when a kid notices: “you only have one leg! What happened to you?” Joe doesn’t want to tell them, even as they hit him with a barrage of wild guesses. When one girl asks Joe instead, “Did I just step on a crocodile?” the questions are forgotten and the game begins! An author’s note discussing talking about disabilities to your child and the importance of empathy.

by booksoverlookedblog

And Now for Something Completely Different…

July is Flash Fiction Month! I haven’t been able to get much writing done this summer, and flash fiction is a great way to get back into it. Flash fiction are stories of 1,000 words or fewer. They’re fun and challenging, and a great way to stretch your writing muscles.

Last year I participated on DeviantArt, but this year the Mighty Hydra has migrated Flash Fiction Month to WordPress. Check it out here: https://flashficmonth.wordpress.com/

I’ll be migrating my work with the Hydra as well. I don’t post original fiction…well, anywhere, anymore. But for the month of July only, every day there will be a different piece of flash fiction here from yours truly.

And I do mean the month of July only. After FFM is over, I’ll be removing most, if not all, of the short stories, or putting it behind a paywall. This isn’t so I can make money (lol, writers making money), but to protect the work from plagiarism and possible AI training.

I have no idea what I’m going to write for FFM, but it’s going to be a lot of fun.

Viva!

by booksoverlookedblog

A Birthday Letter

This is not my usual blog fare, but last night I remembered an event in my life that happened 21 years ago today. Today – my 34th birthday.

When I was twelve, I began experiencing intrusive thoughts of self-harm. I didn’t want to die or hurt myself, and I didn’t understand where these thoughts were coming from. I knew more about Catholicism than I did psychology, and I was afraid that I was possessed by the devil. I finally got so scared, I confessed all this to my mom the night of my 13th birthday. I wasn’t sure how to break the news to her, so I told her that I wasn’t sure if I would make it to 14.

Soon I was meeting with a child psychologist, and the thoughts went away. I got help, and I got better.

I’d nearly forgotten about that, but I wanted to let the thirteen-year-old version of me know:

You’re going to see 14. And 24. And 34. And you’re going to be so damn happy. Happier than you ever thought you would be. You will see and do things you never thought you’d be able to. So ask for help, and keep holding on. You’ll get there, I promise.

Love,
Kaye

p.s. You’re not possessed, you have untreated anxiety.

by booksoverlookedblog

Reason for Ban:

I like to joke that “I write gooder than I talk.” I’m very passionate about a lot of things, and when I’m talking about them, it can lead to some wild ranting. Anyone who’s been around me after a beer or two can confirm. Writing forces me to slow down, take a step back, and organize my thoughts.

This month, I wanted to write something about the alarming frequency of challenging and banning books. June is Pride, and some of the most frequently challenged or banned books in the past several years have been challenged for LGBTQIA+ content. It’s infuriating.

It’s so infuriating that every time I try to organize my thoughts around it, I see red and it all devolves into a rant that’s better suited to a soapbox than a blog post.

But I don’t think I can put it more succinctly than one of the kids at my teen advisory board did last night:

Me: A lot of books are being challenged or banned for having queer or DEI content.
Teen: What’s DEI?
Me: Diversity, equity, and inclusion. In book challenges, it’s usually related to race.
Teen: That’s stupid.

This is obviously something I care a lot about. I’m aiming to write something more in-depth for October, since Banned Books Week is October 1-7. Until then, I wanted to share a poem I wrote in April 2020 on this topic.

Reason for Ban:
by Kaye Norton

Banned for profanity
Our kids don’t use language like that.
They’ve never heard those words on TV.
We don’t use them at home.
Of course they don’t say them when we’re not around.

Banned for alcohol use
Our kids have never seen us with a glass of wine
or stolen sips from our beers.
They’ve never drank from red plastic cups at parties
or even wondered about the taste.

Banned for sexual content
Our kids don’t know what lust is.
Certainly, they’ve never felt it.
Never spun bottles,
laid in the backseat of a car,
or felt the breathless rush of young love.

Banned for bullying
Our kids have never thrown a punch,
or spread vicious rumors,
or spent a day crying in the bathroom,
and faked being sick to stay home
because someone threatened to kill them.

Banned for religious viewpoint
Because we have faith in God
But not our kids.

by booksoverlookedblog

BIDP: Where the Crawdads Sing

Where the Crawdads Sing by Delia Owns was released in 2018 to great acclaim. Consequently, I’ve heard praise for the novel for a few years now, but never read it. I added it to my ever-growing “To Be Read” list at the recommendation of just…so many people, but there were always different books that intrigued me. Crawdads was one of many books that I’d get around to reading “someday.”

And then: book club. Yes, the same small book club that forced me to read An Ember in the Ashes got back together. And, as you might have guessed, the first book we picked was Where the Crawdads Sing.

I am the type of person who dismisses popular things out of hand. When a lot of people praise something to high heaven, I tend to roll my eyes and stay away. Especially when it sounds like something that Facebook moms with “Live, Laugh, Love” wall art would be enamored by. However, I am trying to be less judgmental and open to new things, so I picked up Crawdads without complaint.

There was one through line I heard through all the praise the book received: that it was beautifully written. However, no one casually talking about the book ever seems to mention the characters or the plot. This worried me a bit. If you’ve read any of my other reviews, you’ll know that what really draws me into a story, more than anything, is the characters. Would this be a beautiful book, but devoid of emotion and characters I would actually care about? There was only one way to find out.

I have to agree with the same thing that everyone says: the prose is beautiful. It’s lush with description and metaphor, and is easily the novel’s strongest point. I wasn’t surprised when a movie based on the book was announced, but I had my doubts about how well it would work. Removing the narration is like removing the heart of the original work. Though I haven’t seen the movie myself, I think the many mixed and critical reviews show the importance of the actual writing in the book. The story suffers without it.

Looking beyond the beautiful prose, the plot can feel thin at times. For example, the book starts with the (probable) murder of Chase Andrews, a character that the protagonist, Kya, has been involved with. The investigation and Kya’s subsequent arrest feels more like a framing device for the story. Near the end of the novel, Kya is arrested and goes to trial after being arrested for Chase’s murder. Until that point, the murder mystery doesn’t feel fully integrating into Kya’s story.

The book uses an omniscient narrator, which I generally don’t like. Omniscient narrators make me feel like I’m looking at a character through a window, and not like I can connect with them or get in their heads. It felt like there was a lot of telling and not enough showing when it came to characters’ emotions.

She’d given love a chance; now she wanted simply to fill the empty spaces. Ease the loneliness while walling off her heart.

Over time, I grew to like it. Even though the narrator knows everything, it doesn’t give the whole story away. While the book opens with the mystery of Chase Andrews’s suspected murder, the reader doesn’t get an actual, final answer to the who-dun-it (if anyone dun it at all) until the final pages.

Considering the premise of the book – an abandoned girl living alone in a marsh for years – I expected this to be a survival narrative. A coming-of-age story in the style Island of the Blue Dolphins or Hatchet, perhaps. Especially after the book points out that it’s easy to find your dinner in a marsh, provided you didn’t mind digging up shellfish or fishing.

Kya observes and studies the marsh and great detail, and she relies on it for her survival, though not in the way I expected. For much of the novel she sells mussels, and uses the money she earns to buy groceries and supplies. She receives secondhand clothes from two characters, Jumpin’ and Mabel, who become parental figures to her. It is a survival story in that it’s about a girl living alone and in poverty, and raising herself to adulthood. While she does ultimately live off the land, it’s not in the direct way that I’d anticipated.

Towards the middle of the book, I realized, with growing horror, that this was a romance novel. Romance isn’t one of my favorite genres, but I usually like it as a B-plot. But this was no B-plot. The bulk of the book focuses on Kya’s romantic relationships with two boys from town, Tate and Chase.

I was a disappointed. I wanted Hatchet, but what I got was a banal love triangle. Kya falls in love with Tate, but he leaves her to go to college, and doesn’t come back into her life for years. Lonely and heartbroken, Kya lets herself fall for Chase.

A lot of the plot was predictable from here on out. Anyone who’s ever watched a romantic comedy could figure out what would happen next.

We know who Chase is from the start of the book. He’s a star quarterback in high school, which in fiction about a weird girl is usually synonymous with “asshole.” He comes from a prominent family in town who look down on people like Kya as “marsh trash.” He’s known to cheat on his partners, and even Kya understands that becoming romantically involved with him could be disastrous.

On the other hand, Tate is a nice, smart boy who loves and respects the marsh. He teaches Kya to read and helps open her to the wider world. Which of these two do you think she’s going to end up with? It’s not hard to figure out.

I really wasn’t that into the romance aspect of the novel until I saw it in a different light. Instead of a generic love story, Kya’s relationships with Tate and Chase could be read as an extended metaphor for humans’ relationships with the marsh. Chase sees the marsh as a thing to be used, either for hunting, fishing, or draining the water for land development. It’s much the same way as he treats Kya. She’s a curiosity, an exotic adventure, someone to bed for the bragging rights of having slept with the feral marsh girl. He uses Kya and discards her when she no longer suits his needs.

Like most people, Chase knew the marsh as a thing to be used, to boat and fish, or drain for farming, so Kya’s knowledge of its critters, currents, and cattails intrigued him. But he scoffed at her soft touch, cruising at slow speeds, drifting silently past deer, whispering at birds’ nests.

Tate loves the marsh for what it is. Where some people only see it as a swampy wasteland, Tate understands its intrinsic beauty. He dedicates his life to studying and protecting the marsh. Similarly, he doesn’t reject Kya out of hand as “marsh trash” as the other townspeople do. He appreciates Kya for who she is, and doesn’t try to tame or change her. He gives her the tools she needs to expand her world, and by doing so, helps protect her and the marsh.

Overall, I liked Where the Crawdads Sing well enough. I’m glad I kept an open mind about it, but it’s not a book I’d re-read. The plot as a bit thin and I didn’t always like the narrative style. Even so, the prose is excellent and the book can be read on a couple different levels. If you’re looking for a well-written, even relaxing book, this is for you. The audiobook also has a wonderful reader, Cassandra Campbell.

But I think I’ll stick with Hatchet and Grandma Gatewood’s Walk for now, thanks.

by booksoverlookedblog

Read with Pride: June Book Recommendations

Before we get into June’s book recommendations, I just want to let everyone know that there won’t be a book list for July, and possibly not one for August. As a children’s librarian, summer is my busiest time of the year. Much as I wanted to create a book recommendation list for every month this year, I’m a little overwhelmed right now and it’s just not in the cards. 

June is my favorite month for many reasons: my birthday, the start of summer, and many good memories I have of school ending. June is also  Pride Month! First established in 1999, Pride Month commemorates the 1969 Stonewall Riots that are often used to mark the beginning of the gay rights movement in the United States. LGBTQIA+ rights have come a long way since then, but it is still an uphill battle, particularly for the trans and nonbinary community. 

I live in Florida, which has passed extreme anti-LGBTQIA+ laws, including the infamous “Don’t Say Gay” law (which recently was extended to eighth grade); HB 1521, which regulates bathroom use; and SB 245, which bans gender-affirming care for trans minors and allows the state to remove children from their families if they receive gender-affirming care.  The Human Rights Campaign, the largest LGBTQIA+ group in the U.S., has even issued a travel advisory for  individuals traveling to Florida.

I am obviously disgusted and enraged by the bigotry and cruelty present in these new laws, and my heart breaks for the trans and nonbinary community. I often feel frustrated and small, and that there should have been something more I could have done to stop this from happening. 

One way I can fight back is through my job. I’m a public librarian, which means that (for now) I don’t have the same restrictions on talking about gender and orientation as school staff do. At the time of this writing, public libraries also don’t have the same restrictions on what books people can have access to. I take my job very seriously. I feel that I have a responsibility to help fill the gaps that kids and teens no longer have easy access to. 

I do a lot of the ordering for YA books at my library, and I’m really pleased to see that there is a lot more LGBTQIA+ representation than there has been in the past. Certainly much more than when I was a teen, and more positive representation as well! Queer and non-binary characters are no longer relegated to being one-off jokes, side-kicks, or dying gruesomely, but are fully realized characters whose orientation or gender identity does not define them. 

There are still many areas where LGBTQIA+ fiction is lacking. For example, I’ve come across way more books about trans boys than trans girls, and very few books have asexual characters as the lead. Also, the majority of LGBTQIA+ fiction I come across is contemporary romance. I think all of these things will improve with time, but it’s the last one I want to talk about right now. There’s nothing wrong with contemporary romance, of course, though it’s not my favorite thing to read. There still isn’t a large amount LGBTQIA+ representation in genre fiction (though it’s improving!), which is disappointing. Queer and nonbinary individuals should still be able to see themselves in their favorite genres – historical, fantasy, sci-fi…and yes, even contemporary romance, if you insist. 

For the fiction half of this list, I’m focusing on genre fiction. Because you know what’s better than two boys finding true love? Two boys finding true love IN SPACE!

Nonfiction

This Book is Gay by Juno Dawson

This Book is Gay has the honor of being one of the most challenged books in the U.S. for two years running, for “LGBTQIA+ content” and “providing sex education.” Dawson’s book seeks to educate both queer and straight teens on same-sex relationships, including the physical aspects of those relationships. But sex is far from the only thing this book covers. It’s got everything from coming out, dating apps, discussions of queer culture, and the downsides of being LGBTQIA+. The breezy, upbeat writing is frequently witty and always informative, and black and white cartoons add humor into even the hardest topics the book covers, like harassment and discrimination. But I honestly can’t describe this book any better than the summary itself: “There’s a long-running joke that, after coming out as a lesbian, gay, bisexual, transgender, or intersex person, you should receive a membership card and instruction manual. This is that instruction manual. You’re welcome.” 

The Invisible Orientation: An Introduction to Asexuality by Julie Sondra Decker

While there is much better queer representation in the media today, asexuality is an orientation that often gets left out. It’s also frequently misunderstood, or treated as a joke. Because of this, it can be difficult for someone on the asexual spectrum to understand their orientation or have it be taken seriously.  It can be a huge relief to find the right word to describe yourself, and know that you’re not the only one who feels this way. The Invisible Orientation discusses asexuality and other ace-spectrum orientations, while emphasizing fluidity and that asexuality can change over time. It also addresses myths about asexuality, that being asexual is healthy and not the result of a physical or mental illness, and includes a chapter for friends and family of asexual people. I’ve known for awhile now that I’m on the ace spectrum, and while the label doesn’t matter to me much anymore, seeing myself in this book made me feel validated in a way I’d never been. 

Say it with me: we’re here, we’re queer, we don’t wanna touch your rear!

Gender Queer: A Memoir by Maia Kobabe

You’ve probably heard of Gender Queer before: maybe because it’s a Stonewall Honor Book, or maybe because it’s been the most frequently challenged book in the U.S. for the past two years. Gender Queer is a graphic novel that chronicles Maia Kobabe’s (e/eir/em) journey from childhood to adulthood, as e discovers eirself as nonbinary and asexual. The book starts in Maia’s childhood, and covers eir confusion about eir orientation, gender identity, and dating. Even after Maia discovers that e is gender queer, eir journey continues with coming out to friends and family, changing pronouns, and coming into eir own as a nonbinary person. This is a great choice for older teens and adults who are nonbinary, or seek to understand what it means to be nonbinary. 

The 57 Bus by Dashka Slater

Richard and Sasha’s paths probably would have never crossed if not for the 57 bus, which runs between Sasha’s middle class home Oakland’s foothills, and Richard’s crime-riddled community in the flatlands. Agender teen Sasha fell asleep on the bus, and woke to find their skirt in flames. The fire was set by Richard, and left Sasha with severe burns. Sasha’s recovery would require a lengthy hospital stay, multiple surgeries, and months of follow-up treatments. Richard was arrested and charged with two felonies and two hate crimes, potentially facing life in prison. The 57 Bus tells both Sasha’s and Richard’s stories: Sasha’s love of language and all things Russian, discovering their gender identity, and life after a devastating attack; Richard as a troubled kid trying to turn his life around, despite many obstacles. The book examines prejudice, discrimination, and even danger faced by  individuals, as well as the injustices of the juvenile justice system. 

Queerstory: An Infographic History of the Fight for LGBTQ+ Rights, published by Tiller Press, with forward by Linda Riley.

Queer history in the United States didn’t begin with Stonewall, and it didn’t end with the legalization of same-sex marriage. You can find a number of books about LGBTQIA+ history – especially if you’re looking for information about Stonewall or the AIDS Crisis – but sometimes it’s hard to know where to start. If you’re just looking for a quick overview of the LGBTQIA+ rights movement, a jumping-off point for more in-depth learning, or a very colorful way to learn queer history, then Queerstory will not disappoint. Loaded with illustrations, timelines, brief biographies, and facts, Queerstory presents LGBTQIA+ history in a visually appealing and digestible way. While not as in-depth as other books on queer history, the colorful presentation and infographic format add a splash of fun into what is often a weighty topic.

Fiction

Summer Bird Blue by Akemi Dawn Bowman

Lea wasn’t just Rumi’s sister. Lea was Rumi’s best friend, the other half of her soul. Writing songs with her was one of the greatest joys of Rumi’s life. Lea understood Rumi in a way that no one else did, like how Rumi felt left behind when her friends started dating and she just doesn’t understand why romance has to be such a big deal for everyone but her. When Lea is killed in an accident, Rumi is lost, unsure of what to do with her life without her sister in it. Her distant mother, consumed by grief, sends Rumi from their home in Washington to live with her aunt in Hawaii. Rumi navigates her grief, survivor’s guilt, and deep rage over her sister’s death and mother’s abandonment, while trying to understand her asexuality and complete the last song she and Lea would ever write together. At first, she wants nothing to do with Hawaii or her new neighbors – Kai, the cheerful boy next door, and the curmudgeonly Mr. Watanabe. But maybe, with their help, she can find her way back to the music that she once loved so much. 

Dreadnought by April Daniels

Danny Tozer has known for a long time that she’s a girl, even if she has a boy’s body. She’s afraid to come out as trans, but her secret’s out when the world’s greatest superhero, Dreadnought, falls out of the sky. Dying, Dreadnought transfers his superpowers to Danny, giving her super strength, flight, and the body she always wanted. Transitioning suddenly and gaining superpowers makes life a little complicated: Danny’s vitriolic and verbally abusive father is looking for a way to “cure” her; the Legion Pacifica of superheroes are in disagreement if Danny should be the new Dreadnought; even Danny’s best friend has abandoned her. “Caping” with fellow superhero Calamity helps Danny escape from her civilian troubles. The girls start small, but Danny is determined to track down Utopia, the super villain who killed Dreadnought. Danny doesn’t feel that she deserves the gift that he gave her, and this is how she can repay him. Yet as her journey as a trans girl and a superhero go on, she comes to understand that she deserves Dreadnought’s mantle – and more – as much as he did. 

Last Night at the Telegraph Club by Melinda Lo

It’s 1954, and seventeen-year-old Lily struggles to find a place where she belongs. While other girls her age are worrying about boys, Lily instead dreams of working at the Jet Propulsion Lab, like her aunt. She and her classmate Kath connect over an ad for a male impersonator at the lesbian bar, The Telegraph Club, and both girls’ lives are forever changed.  Lily gradually realizes she is a lesbian and falls in love with Kath, but following her heart is a huge risk. McCarthyism is in full-swing, and Chinese-Americans like Lily and her family could face deportation if they are accused of being Communist sympathizers. Being a lesbian only adds to the danger.  Lily learns how to switch between ostensibly straight, Chinatown Lily and Telegraph Club Lily. But when the two halves of her life collide, she will have a difficult choice to make that will change everything. 

The Darkness Outside Us by Eliot Schrefer

Ambrose Cusk wakes to find himself in space, but he has no memory of a launch. Apparently, he was injured in an accident at launch and has been in a coma for weeks. Even so, Ambrose remembers his mission clearly: he is being sent to Saturn’s moon, Titan, to rescue his sister. He’s also surprised to find that he is not alone on the ship. Spacefarer Kodiak Celius is from Demokratia, the country locked in a cold war with Ambrose’s home country, Federacion. At first Kodiak keeps his distance, but Ambrose gradually draws him out of his chosen seclusion. As their journey progresses, both boys discover that there’s something sinister happening on board. Why can’t they get in touch with mission control? Is the ship’s AI telling them the truth about Ambrose’s sister? These two sworn enemies must work together to discover the deadly secrets being kept hidden from them, at the same time coming to understand each other in the stark isolation of outer space. 

On a personal note, I recommend that you don’t read this on your lunch break at work. Once your break is over you’ll have to go back to work and try to be normal and not act like you’ve just been emotionally destroyed at the hands of a paperback. 

The Sunbearer Trials by Aiden Thomas

In the beginning, Sol and Tierra made the gods: the “powerful but vain” Golds, the “kind but focused” Jades, and the “passionate but selfish” Obsidians. But Sol and Tierra loved humans the most, and the jealous Obsidians turned them into mindless slaves. Sol sacrificed their body to protect humans, leaving the Sun Stones behind. Every ten years, the Sunbearer Trials are held, in which the children of the gods, or semidioses, compete to be chosen as the Sunbearer who will rekindle the Sun Stones. The loser of the trials has the dubious honor of being sacrificed to fuel them for another decade. Teo, the trans son of the goddess of birds, has no interest in the Trials. As a Jade surrounded by more talented Gold peers, he’s certain he’ll never be picked. But he and his best friend, Niya, must both compete against each other in the Trials, alongside Aurelio, Teo’s old friend turned enemy. Then there’s Xio, the thirteen-year-old trans son of the god of bad luck. No matter the outcome, Teo and Niya are determined to protect Xio from being sacrificed. The Hunger Games meets Mexican mythology in a lush, queer positive fantasy.

by booksoverlookedblog

#1000BlackGirlBooks: Hallway Diaries

Now that I’ve finished my exploration into the NYT best seller’s list, I’ll be going back to some of my regular content. I still have posts drafted for #1000BlackGirlBooks and Books I Didn’t Pick, and I have a few other book reviews planned as well.

But for now, let’s pick up where we left off with Hallway Diaries.

Hallway Diaries is composed of three novellas, each of which stars a Black girl in high school. Friendships, romance, and drama are inevitable in these slice-of-life stories. It was published in 2007 by Kimani TRU, and imprint of Harlequin Enterprises. The front page welcomes us:

Dear reader,

What you’re holding is very special. Something fresh, new, and true to your unique experience as a young African-American! We are proud to introduce a new fiction imprint–Kimani TRU. You’ll find Kimani TRU speaks to the triumphs, problems and concerns of today’s black teens with candor, wit, and realism. The stories are told from your perspective and in your voice.

But before we get into each of them, I want to talk about the physical book itself. I know, I know, we’re not supposed to judge books by their covers, but that’s exactly what I’m about to do.

I want to start with the back of the book, which has summaries for each of the three stories.

How To Be Down by Felicia Pride When Nina Parker decides to straighten her Afro, lose her valley-girl accent and get a total makeover for her new school in the hood, the cutest guy notices—yes! But so does the meanest girl, Vivica, queen bee of her crew, who wants Jeffrey for herself.

Double Act by Debbie Rigaud

In the hood, Mia Chambers is ‘the smart girl,’ but at her prestigious new prep school she hardly stands out. So Mia does what it takes— only to be accused of selling out by her old friends!

The Summer She Learned To Dance by Karen Valentin

At first, Giselle Johnson hates spending the summer with her cousin from the Dominican Republic. But she soon starts loving the island and even learns to dance to her own rhythm. That is, until her cousin attracts Giselle’s high school crush…

These descriptions make these novellas sound like “mean girl” stories, but that’s a big misrepresentation of what they actually are. Take the summary for How to be Down. It sounds like two girls fighting for the affection of a boy. That is part of the story – but not the whole thing. It’s really a story about Nina trying to fit in at a new school, and Vivica’s insecurities about her own racial identity. I can only assume that these descriptions were written to attract readers to buy the book, even if it’s misleading.

Now I want to talk about the cover.

I don’t think that these models are meant to represent any of the characters in the books, but I noticed something: everyone has relatively light skin on the cover, even the Black models. And I think that’s a bit weird, considering the publisher is trying to give Black teens stories that feel authentic and relevant to their lives.

To be honest, this is something I probably wouldn’t have noticed until a couple years ago. Today, I can see that it smacks of colorism.

Colorism is, essentially, a preference for people with lighter-colored skin, even among BIPOC. The term has been made more mainstream in the past couple years, especially following the release of the film In the Heights. The movie was criticized for featuring mainly light-skin Latinx actors, and not being representative of the Afro-Latinx community.

Colorism wasn’t something that was even on my radar for a long time, but once you start noticing it, you can’t stop. You can see it everywhere, from advertisements to entertainment, and, of course, book covers. This is not to say that Hallway Diaries is a bad book. But the cover, like the summaries, is misrepresentative of the book itself. I think both the back and front covers were deliberately misleading to sell more copies. It makes sense from a marketing standpoint, but it does annoy me. For anyone actually looking for mean girl love triangle stories, the reality of this book could be a huge disappointment.

But we’re not here to judge books solely on their covers (and/or marketing strategies), so let’s get into the novellas themselves. I’ll start off with a few more accurate summaries:

How To Be Down by Felicia Pride: Nina has just moved from her mostly-White hometown to Baltimore. She has a frenemy in Vivica, who calls Nina a White girl in a Black girl’s body. Vivica is insecure in her own racial identity, as she is half-Black, and half-Latinx. Tensions between Nina and Vivica explode during a school slam poetry competition.

Double Act by Debbie Rigaud: Mia leaves her old school and beloved Double-Dutch team to transfer to a new, mostly White high school. She struggles to fit in, but when she feels like she finally has a place, her old friends accuse her of forgetting where she comes from.

The Summer She Learned How to Dance by Karen Valentin: Giselle wants to connect with her late mother’s side of the family but isn’t sure how. She finally gets her chance when her cousin, Juanita, comes from the Dominican Republic to visit for the summer. However, Giselle finds Juanita embarrassing and wants nothing to do with her.

As I read these novellas, a common theme emerged: duality. I mentioned this a bit in my post about The Hate U Give, in which the protagonist often feels like she’s living in two different worlds.

In each of these stories, the girls find themselves being pulled in two different directions when life deals them an unexpected hand. All three have happy endings: Nina and Vivica learn to love themselves as they are; Mia manages to play piano in the school play and jump in the final Double-Dutch competition; Giselle embraces her cousin and learns more about herself and her family.

I don’t think there’s anything wrong with happy endings like this. These were just light, fun stories and the message works for any teenagers reading them, particularly girls. To thine own self be true, make new friends but keep the old, be open-minded and you’ll be rewarded.

However, race can’t be ignored in these novellas. Boiling them down to a few pithy morals cheapens the meaning of the stories. The girls in these stories go through things most teenagers do: they need to figure out who they are in changing circumstances. This is hard enough, but they also must incorporate their racial identity into this journey of self-discovery.

Which brings me to my next point: the importance of representation.

When I was an teenager asking myself, “who am I?” I never had to worry if I was acting “White enough” or felt like I had to represent my race. Growing up, almost everyone I knew was White, and I never was made to feel like I didn’t belong among my classmates or relatives because of my race. Why would I, when almost all of us were the same race?

While I’ve known for a long time that representation in media was important, I rarely felt the impact when a show or a movie lacked diversity. Sure, I’d get annoyed at the way women were often treated in movies and TV shows, but I didn’t really understand on an emotional level the importance of representation for other minority groups.

Then I started playing a game called 2064: Read Only Memories. It’s a point-and-click cyberpunk adventure game, where you play as a journalist who teams up with the world’s first A.I., Turing. I was pretty excited when I started playing and saw that you could pick your character’s pronouns. Not just she/her, he/him, they/them, but also pronouns like zi/zie, hir, ve/ver, and many others that I had never heard of before. Early on in the game you’re introduced to your sister’s ex, who is another woman. One of my favorite characters in the game was TOMCAT, who goes by they/them. They majority of the characters, from main characters to minor ones, were queer, non-binary, or both. I have no problem with that — I thought it was really cool that there was a game that featured so many characters who ran the gamut of genders and sexualities.

But as I played through the game, I found myself getting weirdly annoyed. I caught myself thinking, “Isn’t there just one cishet character?!”

With a shock, I realized that this must be what queer and non-binary people feel like all the time.

I’ve had other moments like that since, but that was the first, and it was eye-opening. Like with colorism, once you start noticing the importance of representation in media, you can’t un-notice it. I remember working with a group of middle school girls talking about The Force Awakens, excited to finally see a woman as a Jedi. A friend of mine who’s a first generation immigrant who never saw herself represented in media until she heard “Breathe” from In the Heights. Another friend who’s bisexual and was excited to see that Disney’s Loki is, too.

I’m really glad that there is more representation for BIPOC and LGBTQAI+ individuals. I also think that there’s still a great deal of work to do in that regard, especially when it comes to representing people with disabilities, along with religious diversity. However, I’m so excited to see books, TV shows, and movies with a diverse cast of characters. We’ve come a long way – and we’ve got a long way to go still.

Now, I’ve got to be honest about one thing: I didn’t really like Hallway Diaries. Someone my age wasn’t the target audience, but even as a teen, I wouldn’t have had much interest in it. Teen drama just isn’t my thing, even when I was a teenager. However, I hope that this book, and others from Kimani TRU found the right person for them. I hope there are teenage girls out there who read this book, and other books like it, and finally felt seen.

by booksoverlookedblog

Asian-American and Pacific Islander Heritage Month – May Book Recs

May is Asian-American and Pacific Islander Heritage Month! Asia and the Pacific Island are both huge areas, encompassing thousands of languages and cultures. Asia is the most populated continent, with around 50 countries (the number changes, depending on who you ask). I’ve also included a couple books from Hawaiian and Maori culture, as well as a memoir of a Syrian refugee family. This is where the “depends on who you ask” kicks in, since I consider the Middle East to be geographically in Asia, though not everyone does. I can’t cover all the aspects of Asian and Pacific Islander literature, but some key writers and illustrators to check out are Linda Sue Park, Grace Lin, Lauren Yep, Naomi Shihab Nye, Minh Le, Dan Santat, Uma Krishnaswami, Bao Phi, Erin Entrada Kelly, Justina Chen, Witi Ihimera, Kiana Davenport, and Kelly Yang.

Non-fiction 

Welcome to the New World by Jake Halpern and Michael Sloan

This graphic novel tells the true story of a Syrian refugee family coming to the United States. Ibrahim Aldabaan, his wife, Adeebah, and their three children fled from war-torn Syria to Jordan. There, they make the hard decision to start a new life in the United States, even if it means leaving siblings and Ibrahim’s mother behind. The family arrives in the U.S. on November 8, 2016 – the day of Donald Trump’s election. His Muslim ban means that the family may never reunite again. Ibrahim and Adeebah have only four months to become self-sufficient, an already difficult task made even harder by a lack of English and Islamophobia. Meanwhile, their children must contend with learning new social customs, bullies, and not fitting in at their school. 

The Fishermen and the Dragon: Fear, Greed, and a Fight for Justice on the Gulf Coast by Kirk Wallace Johnson

Fishermen in 1970s in Galveston Bay were struggling. Droughts, oil spills, and petrochemical plants legally dumping chemical waste into the water were damaging the fishing industry, but White fishermen pinned the blame on Vietnamese refugees who’d broken into the shrimping industry. Racial tensions in the small town of Seadrift reached a breaking point when a Vietnamese fisherman killed a White man in self-defense. In retaliation, the White fishermen burned Vietnamese boats and homes, eventually calling on the Ku Klux Klan to drive the Vietnamese out of the bay. Colonel Nam, the de facto leader of the Vietnamese community in the bay, urged the Vietnamese community to stand their ground and place their faith in the Constitution, ensuring their freedoms. Amongst all the tension, one woman could see the harm that petrochemical plants were doing to the waters and people she loved, and became an renowned environmental activist, going to great lengths to ensure her demands were heard. This is a non-fiction book that reads like a novel, thoroughly researched and suspenseful that it’s hard to put down.

Samurai Rising: The Epic Life of Minamoto Yoshitsune by Pamela S. Turner

In twelfth-century Japan, Yoshitsune’s father went to war with the Taira, a rival samurai family. His father was defeated and killed, his mother was captured, and his only surviving brother was exiled from Kyoto. Only a baby at the time, Yoshitsune was fortunate to survive, spending his early years in a Buddhist temple. He ran away from the temple to train as a samurai, determined to reclaim his family’s honor and glory. Yoshitsune’s story may have ended centuries ago, but his feats of heroism have rendered him immortal. This is a bloody and action packed biography, as deliciously readable as any novel. Who says history has to be boring?

Kapaemahu by Hinaleimoana Wong-Kalu, Dean Hamer, and Joe Wilson. Illustrated by Daniel Sousa.

Kapaemahu is a picture book that depicts the Hawaiian mo’olelo – or traditional story – of the ancient healers who came to Waikiki. The four healers were mahu, people who were neither male nor female, but a mixture of both in mind, spirit, and heart. The mahu taught the Hawaiian people healing arts, and the Hawaiians created a monument of four massive stones to honor them. Over time, changes to Hawaii’s cultural and physical landscape, the sacred stones were lost. Though they have been recovered now, their true story still needs to be told. This is a bilingual book, written in both the Hawaiian dialect ‘Olelo Ni’ihau, and English. The illustrations are done in a gorgeous palette that evokes sunset, and hope for the future.

From a Whisper to a Rallying Cry: The Killing of Vincent Chin and the Trial that Galvanized the Asian American Movement by Paula Yoo

In 1982, the American auto industry was in decline, and anti-Asian sentiment was on the rise. Many American auto workers blamed falling car sales and mass layoffs on imported Japanese cars. In Detroit, the heart of the American auto industry, Chinese-American Vincent Chin was brutally murdered almost a week before his wedding. There was no doubt about who his killers were: Chrysler plant supervisor Ronald Ebens, and his adult stepson Michael Nitz. They plea bargained their charge from second degree murder to manslaughter, and were given a $3,000 fine and three years probation. Incensed at the lenient sentencing, the Asian-American community rallied to seek justice for Vincent Chin and his family. The U.S. had never seen Asian-American activism on this scale before. Hate crimes had not yet been codified into U.S. law, and eventually Ebens and Nitz would be tried again for violating Vincent Chin’s civil rights. United States vs. Ebens would be the first federal civil rights case regarding a crime committed against an Asian American. Exhaustively researched, From a Whisper to a Rallying Cry gives an objective view of the events and people involved in this tragedy. It’s both hard to read and impossible to put down. An afterword (written in 2021) discusses the link between COVID-19 and anti-Asian sentiment, a sobering reminder of why Vincent Chin must never be forgotten. 

Fiction

The Weight of Our Sky by Hanna Alkaf

Malaysian Melati has a djinn who shows her visions of her mother’s gruesome death on repeat. She has developed complex counting and tapping rituals to appease the djinn and keep her mother safe. She doesn’t know that her djinn is actually obsessive compulsive disorder, which was poorly understood in 1969, when the story takes place. Her life is plagued by anxiety, which has only grown worse following the death of her father the previous year. After a general election, violence breaks out between the Malays and Chinese of Kuala Lumpur. Melati is narrowly saved from certain death by a Chinese woman, Auntie Bee. While violence rages outside, Melati takes shelter with Auntie Bee, Uncle Chong, and their sons, Frankie and Vincent. Melati cannot bear to be separated from her mother, and she enlists Vincent’s help to find her. It will take all of her courage to go out into a city under fire and reunite with the person she’s always tried to protect.

The Whale Rider by Witi Ihimaera

Apirana is chief of his Maori tribe, one of a  long, unbroken chain of male leaders. When his first great-grandchild is a girl, he wants nothing to do with her. Young Kahu wants nothing more than his love and tries to learn all she can about Maori culture, despite his firm rejection of her. The book is narrated by her uncle Rawiri, who deepens his understanding of his Maori identity as he travels in Oceania. When dangerous omens wash ashore, Apirana asks: will the Maori culture live, or die? The answer lies in the girl he’s rejected. Beautifully written, this short novel deftly interweaves traditional Maori religion and the Maori language.

The Henna Wars by Adiba Jaigirdar

When Bengali-Irish teen Nishat tries to come out to her parents as a lesbian, their silence speaks volumes. Her parents think that being a lesbian is a choice, and they ask her to make a different one. But Nishat knows who she is, and her growing crush on her Brazilian-Irish classmate Flavia can’t be ignored. When the school announces a business competition, Nishat starts a henna business, excited to connect with her Bangladeshi culture. In a move that smacks of cultural appropriation, Flavia and her cousin Chyna (who happens to be Nishat’s biggest enemy) start a rival henna business. Angry as she is, Nishat can’t ignore her feelings for Flavia. But with her ultra-supportive sister Priti at her side, Nishat is determined to win this battle. 

Temple Alley Summer by Sachiko Kashiwaba. Illustrated by Miho Satake. Translated by Avery Fischer Udagawa 

Fifth-grader Kazu is almost certain he saw a ghost walk out of his house, a girl wearing a white kimono with red baubles in her hair. The next day, he’s shocked to see the ghost in his class, looking alive and well. According to his classmates, Kazu and Akari have been neighbors for years, though Kazu has no memory of her. Stranger still, he learns that his home may have once been the site of the ancient Kimyō Temple. Legends have it that the Kimyō Temple could bring the dead back to life. As he uncovers more about his neighborhood’s history and the temple, he discovers that Akari’s new life is in danger. Featuring a story-within-a-story, Temple Alley Summer is a charming novel about friendship and not-so-scary ghosts.

Front Desk by Kelly Yang

Mia’s family left China and came to the United States looking for a better life. What they found was xenophobia and a daily struggle to get by. They think they’ve hit the jackpot when Mia’s parents are hired to work at the Calivista Motel, but the motel’s unscrupulous owner exploits the family. Mia faces troubles at school with bullying and being one of two Asian kids in her class – the other being the Calivista’s owner’s son. She loves to write, but her mom encourages her to focus on math, believing that Mia will never be able to write in English as well as the American kids. While her parents clean the rooms, Mia makes herself the manager of the Calivista Motel, working at the front desk. She befriends the “weeklies” who live at the motel like herself, and helps hide and support other Chinese immigrants alongside her family. Mia dreams of owning a motel, and helping her family claim a piece of the American pie. Mia is a wonderful character, and the novel has an immensely satisfying ending.