The Magician’s Nephew, Chap. 11: Bit Characters and Other Matters

I’ve praised some of the ideas C.S. Lewis had, but there’s one thing that’s a little harder to get over: the chapter titles. Some of them are just so incredibly bland. Take a look:

Chapter 6: The Beginning of Uncle Andrew’s Troubles
Chapter 7: What Happened at the Front Door
Chapter 10: The First Joke and Other Matters

And we’ve finally reached Chapter 11: Digory and His Uncle Are Both in Trouble.

The first half of this chapter is nothing but the animals trying to figure out what, exactly, Uncle Andrew is. They eventually decide that he’s a tree, and plant him in the ground. It’s amusing, but it has nothing to do with the rest of the story. To be honest, I’m not even sure why Uncle Andrew even had to come to Narnia with the other characters. He’s been demoted from intriguing Magician to comic relief, by way of misfortune. At this point, he has nothing to do with the rest of the story. I also don’t like to see clever and brave Polly relegated to the background. She should have a much bigger part in the story right now; certainly, she deserves a bigger role than Uncle Andrew. Much more so than the Cabby as well, who has only just been given a name. Seriously, we learn his horse’s name before his.

Aslan decrees the Cabby, Frank, will be king of Narnia. This is presumably because Frank is the only human adult in the group who isn’t evil. This also begs the question why Aslan wanted a human to run the country in the first place. So far, Uncle Andrew, Jadis, and Digory (to a point) haven’t been shining examples of our species. All the sentient beings in Narnia are either animals or some kind of mythological creature, like dryads and fauns. Why not let one of its native people rule the country, maybe someone that Aslan specifically chose for his council? And how is Frank going to know what’s best for the animals, talking or otherwise? It reminds me of reading an X-rated fanfiction that was clearly written by a virgin. Maybe you know what’s supposed to happen, but it’s obvious to everyone reading it that you’ve got no clue what you’re writing about.

Do you think C.S. Lewis was pro-Imperialism?

Despite that head-scratcher, I’m kind of okay with Aslan’s reasons that Frank qualifies as king. Writing this during an election year, I wish politics really were this simple and straightforward.

“‘Begging your pardon, sir,’ he said, ‘and thank you very much I’m sure (which my Missus does the same) but I ain’t no sort of chap for a job like that. I never ‘ad much eddycation, you see.’

‘Well,’ said Aslan, ‘can you use a spade and a plow and raise food out of the earth?’

‘Yes, sir, I could do a bit of that sort of work: being brought up to it, like.’

‘Can you rule these creatures kindly and fairly, remembering they are not slaves like the dumb beasts of the world you were born in, but Talking Beasts and free subjects?’

‘I see that, sir,’ replied the Cabby. ‘I’d try to do the square thing by them all.’

‘And would you bring up your children and grandchildren to do the same?’

‘It’d be up to me to try, sir. I’d do my best: wouldn’t we, Nellie?’

‘And you wouldn’t have favorites either among your own children or among the other creatures or let any hold under another or is use it hardly?’

‘I never could abide such goings on, sir, and that’s the truth. I’d give ’em what for if I caught ’em at it,’ said the Cabby.”

“And will you build a wall between Narnia and Archenland, and deport all Archenlanders who have not legally come to this country?”*

But between Uncle Andrew being planted in the ground and Frank becoming king, Aslan has to deal with Digory, as he was the one who woke Jadis and brought her into Narnia. Aslan says that Digory must find a magical tree far away, take one of its fruits, and plant it in Narnia. This tree will help protect Narnia from Jadis for hundreds of years. When Digory owns up to the role he had in waking Jadis, his exchange with Aslan is a little…disappointing.

“‘She woke up,’ said Digory wretchedly. And then, turning very white, ‘I mean, I woke her. Because I wanted to know what would happen if I struck a bell. Polly didn’t want to. It wasn’t her fault. I–I fought her. I know I shouldn’t have. I think I was a bit enchanted by the writing under the bell.’

‘Do you?’ asked Aslan; still speaking very low and deep.

‘No,’ said Digory. ‘I see now I wasn’t. I was only pretending.'”

But that was so cool! It was scary and intriguing and now you’re saying that the magic was all in Digory’s head?

Thanks for taking away the scariest part of the book, Aslan.

Digory, you broke Narnia. C.S. Lewis, you broke my heart.

*Please note that Donald Drumpf’s point of view does not reflect the author’s, and that Drumpf is a tool.**
**Though it is worth saying that the Calormenes are C.S. Lewis’s view of Muslims, and are not portrayed in a flattering light. So really, building a wall between Narnia and Calormen would make more sense for this predictable joke.

†Please don’t vote for Trump. Please, please, please.

The Magician’s Nephew, Chap. 6: Unexpected Plus One

We’re a third of the way through the book, and I’m getting pumped to go back to Narnia! Digory and Polly haven’t quite escaped the clutches of Jadis, but they’re able to escape back to the Woods Between the Worlds and…return to London?

Wait, when do they go to Narnia? No, seriously, I read this, I know Digory and Polly accidentally take the Witch to Narnia. Why are they going back to London?

Well, it turns out I forgot a lot more details in this book than I realized.

The children and Jadis wind up back in Uncle Andrew’s study, and it becomes immediately apparent that Uncle Andrew just got a lot more than he bargained for.

In Charn she had been alarming enough: in London, she was terrifying. For one thing, they had not realized till now how very big she was. ‘Hardly human’ was what Digory thought when he looked at her; and he may have been right, for some say there is giantish blood in the royal family of Charn. But even her height was was nothing compared with her beauty, her fierceness, and her wildness. She looked ten times more alive than most of the people one meets in London.

Maybe that description is a bit cliche now, but I love it. Jadis’s presence also puts Uncle Andrew in his place pretty quickly. I like the contrast between the two. When Digory and Polly see Uncle Andrew in the beginning of the book, they see him as someone fighting and powerful. Compared to Jadis, he’s weak and cowardly. And, it would appear, not too bright, either.

Children have one kind of silliness, as you know, and grown-ups have another kind. Uncle Andrew was beginning to be silly in a very grown-up kind of way.

I’ll give my compliments to Lewis for that one. Not only does he capture the magic of childhood, but also at least one true fact about adulthood as well: that we have no idea what we’re really doing, but pretend that we do.

We also see more of Uncle Andrew’s character; along with being totally unprepared to deal with the consequences of meddling with magic, it turns out he’s pretty lousy at being…well, being an adult. It’s not just the “silliness” of thinking that Jadis would fall in love with him, but you can see it in other details. In one side note, the narrator says that Uncle Andrew has blown through his own money, and quite a bit of his sister’s.

Honestly, I’m a little disappointed that Uncle Andrew ends up being this pathetic. He looks small, literally and figuratively, next to Jadis, and is something of a fraud when it comes to being a true Magician. But he was able to use magic to send the children to another world, and have them return (with an unexpected plus one). Using magic in a world where none exists is pretty awesome, even if he was a schmuck about it. But as soon as Jadis comes into the picture, everything interesting and intriguing about him is out the window.

I guess the moral here is: Playing with magic can be cool, but you’re a jerk and not as cool as you think you are.

That’s a strange lesson.

The Magician’s Nephew, Chap. 5: The Queen Said One Word, You Won’t BELIEVE What Happens Next

I remember a fair bit about this book since I last read it. Digory and Polly wake up the evil witch Jadis, and they inadvertently take her to the new world of Narnia. I remember that it was Jadis’s spell that put everyone to sleep, and left Charn in ruins.

What I didn’t remember was how scary Jadis actually was before Digory and Polly found her. This chapter is dedicated to her backstory, and elucidates how Charn became frozen as it is now. Unfortunately, it doesn’t give us an explanation as to why the people sitting outside her chamber start out looking kind and end up looking cruel. I suppose it was just used as a build-up to end in Jadis. That’s understandable, because this is a children’s book. I’m a little disappointed that there’s no (apparent) deeper meaning behind this, because I’m an adult reading a children’s book and expecting more depth than the author provides.

Jadis tells us that she and her sister were feuding for the throne,  giving us images that are a bit…graphic for a children’s novel.

‘I have stood here (but that was near the very end) when the roar of battle went up from every street and the river of Charn ran red.’

Holy hell. I know that children’s literature isn’t sunshine and roses all the time, but that’s pretty dark.

Like Uncle Andrew, Jadis’s backstory has a backstory, and holes that I desperately want filled in. It also shows us that she’s completely evil. I’ve been reading Clash of Kings, and some of the dialogue she has sounds like it would fit perfectly into the Game of Thrones series.

‘Then I spoke the Deplorable Word. A moment later I was the only living thing under the sun.’

‘But the people?’ gasped Digory.

‘What people, boy?’ asked the Queen.

‘All the ordinary people,’ said Polly, ‘who’d never done you any harm. And the women, and the children, and the animals.’

‘Do you understand?’ said the Queen (still speaking to Digory). ‘I was the Queen. They were all my people. What else were they there for but to do my will? [. . .] You must learn, child, that what would be wrong for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules.’

It’s probably not fair to compare the two, but that mentality is basically the reason everyone in  A Song of Ice and Fire gets screwed over.

Jadis tells the children that there is a word–a “Deplorable Word”– that is so powerful it would end Charn. The Word itself is a deep, dark secret that only the most powerful magicians in Charn ever knew it. And while we’re comparing Narnia to things that Narnia shouldn’t be compared to, it reminds me of the Monty Python sketch about the funniest joke in the world, which is so funny, you’ll die when you hear it.

Most of Charn’s magicians refused to learn the Word, and it was forbidden to ever use. Jadis didn’t share their reluctance, and set out on an epic quest to learn the Word, and…

‘It was the secret of secrets,’ said the Queen Jadis. ‘It had long been known to the great kings of our race that there was a word, which, if spoken with the proper ceremonies, would destroy all living things except the one who spoke it. But the ancient kings were weak and soft-hearted and bound themselves and all who should come after them with great oaths never even to seek after the knowledge of that word. But I learned it in a secret place and paid a terrible price to learn it.’

…Really? That’s it?

This entire chapter is the story of how Charn ended up in this state, and we don’t get to see the most interesting and intriguing part. Hell, we’re not even told why Jadis was fighting her sister. I would probably read a whole book on Jadis’s rise into power, her learning the Word, and killing Charn with it. That sounds like an awesome story. Or maybe a terribly generic one, but at least I’d get some of my questions answered.

Excuse me, I need to go and write a fanfiction now about Jadis’s backstory.

The Magician’s Nephew, Chapter 4: Curiosity Killed the Kids

The first pool that Digory and Polly jump into is the wrong one. The story would be very different if they’d gone to any other world, but then, they’d never make it to Narnia without going into this one first. Polly and Digory enter the world of Charn, and it’s…chilling.

Everything about this world is old and still. They wander through ruins, and there’s absolutely no sound. There’s no people, no animals, nothing but empty courtyards. Even the light in this world is described as feeling old, as well as reddish. That last detail is more unnerving to me now that it was as a kid. I don’t know how much C.S. Lewis knew about astronomy, but the red light makes me think of Red Giants: cool, dying stars, millions of years old. It’s not just an old world, it’s a dying one.

I was a little wary about re-reading the Narnia books at first, because of the narrator. The last book in the series I read, Prince Caspian, I found the narrator so annoying, I wish I could have skipped the descriptions altogether.  Lewis uses an intrusive narrator to tell the story, and he’s not shy about making his presence known. I won’t go as far to say that the book’s written in first person, but every so often someone – referring to themselves as “I” – pops his head in and gives you his frank opinion on the matter at hand. Either there’s not as much of it as there was in Prince Caspian, or it doesn’t bother me as much now. It can be a little jarring, but I don’t actively hate it. It makes me think of a grandfather telling his grandkids this story, which is probably the way Lewis intended it to be. There’s a warmth to it, and it makes me think of my dad, reading this book to me when I was sick. On the other hand, it also allows Lewis to be a bit lazier with his writing, and he sometimes uses it to avoid writing in-depth descriptions, or to fast-forward scenes.

If you were interested in clothes at all, you could hardly help going to see them closer. [. . .] I can hardly describe the clothes. The figures were all robed and had crowns on their heads.

Digory and Polly inspect the rows of people who resemble wax sculptures. It becomes apparent that they’re all set up in a particular order. First come people whose faces are kind, and look like the type of person you might want to have a cup of tea with. But as they continue, the faces get crueler and crueler, until they finally reach the most beautiful – and cruelest – looking person of all.

In a lot of fairy tales (and Disney movies), your inside matches your outside. That is, the more evil you are, the uglier you are. Of course, all the high school outcasts like myself know that the opposite is true, and it’s the pretty girls who are the mean ones. I’m glad to see Lewis didn’t fall into the same cliche of beautiful people being good, and ugly ones being evil. Perhaps it’s too predictable.

It’s been a long time since I read this book, and I’ve forgotten a lot of the details. It’s sort of nice, actually; it’s almost like reading it for the first time again. The order that Digory and Polly find the frozen people in seems important, starting with the kind people and ending with the evilest. I wonder if there’s a point to be made here that I haven’t picked up on, or if it’ll be revealed why they’re arranged in this way. I hope it’s explained.

This chapter also played on a fear that I didn’t even know I had until I read this book. Digory and Polly come across a bell, a hammer, and a poem:

Make your choice, adventurous Stranger;
Strike the bell and bide the danger,
Or wonder, til it drives you mad,
What would have followed if you had.

Polly doesn’t want to ring the bell; she wants to put on her yellow ring and leave this world. Digory, on the other hand, already feels the magic start to work on him. After an argument with Polly, he rings it, mostly out of spite. After a couple paragraphs describing the sounds it makes, the ruins start collapsing around them.

The choice here is that you can either ring the bell, and something terrible will happen, or go crazy wondering what that terrible thing would have been. I think we all deal with “what-ifs” and “might-have-beens”, and they can gnaw away at you. That’s bad enough, but when something is magically cursed to make you perpetually wonder what would have happened if you walked away… well, I’ve never had much willpower, so I would probably give into the temptation of ringing the bell. But the idea of losing my mind, even as a kid, was scarier than the potential risk of whatever would happen when that bell rings. If there’s actual, physical danger, then you can find a way to escape it. If it’s in your mind, how do you fight it, and will you ever be free of it?

Again, this is one of the hazards of traveling to a new world. I’ll have to be very careful not to read any cursed poems that will drive me mad.