FFM 1: Spider Whelp

Without in any way limiting the author’s exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models.

July is Flash Fiction Month! I’ll be sharing short short stories here through the month of July. More notes are at the end of the story.


“A ring of disguise. I know you have one.” 

“Thought you might be coming here, spider-whelp.” The human woman said. “Your kind never gets far on their own.”

“They are not my kind.”

The human grinned, baring a broken tooth. “I’ve heard differently.” 


Shoved against the wall, knife to his throat. “Let’s see what you’re hiding under here.” Calloused hands tore the hat off his head. Moonlight white hair spilled down to his chin. 

“That’s what I thought.” The point of the high elf’s blade trailed across flesh, to the spider insignia that stained the drow’s flesh. The high elf elicited a hiss. “You’ve been marked.” 


“I know you’re good,” the human continued. “You’ve killed plenty of my guys. But plenty of the other side’s guys, too. Keep going like that, you’ll be dead before the month is out.” 


There was an understanding between the drow and whoever hired him. He would kill no women, and his loyalty after the job was done was malleable. Most thought he was worth the price anyway.


“I have money,” he told the human. 

“I know. You’ve gotten plenty of it from me. I don’t want your money,” she replied.

The drow scoffed. “All anyone wants in this city is money.” 

“The ring has a price, but it’s not measured in gold.” She fished it from her pocket, a copper band with a tiny glass mirror where a stone would be.

 The drow’s red eyes gleamed. “What is it then?”

“You work for me. Exclusively.”


A mass of bodies under the earth, chanting and calling out to their goddess. They were divided, the men and the women, praising their true queen.

Silver webs shone against the dark, and Lolth came to them. Her many eyes swept over the mass of her worshippers. She picked from the women first, Her newest clerics.

Then, the men. Praying, but not daring to hope that the Queen of Darkness would deign to bless them.

She chose him.


He would not raise a hand to a woman, not even to this one, who both deserved it and had what he most wished for in the world.

But the price was too high.

“I work for no one but myself.” He took a step back.

“That’s what I thought you might say.” 

She drew her sword.


The burst of dark energy had slain the high elf before he could draw the drow’s blood. He had slain many others in the same way. 

With each spell, he could only hope that Lolth did not feel him drawing on Her power. Let her forget about him, and the gift she had given him. She had many, many others to do her bidding. Let him disappear into the crowd again. 

He could feel that borrowed power tingling at his fingertips now. He would not use it.

The drow fled. 


FFM #1 Challenge! Write a story with a nonlinear narrative.

I was really stuck on this one at first. Then I remembered I play DnD, and I have a character for an upcoming campaign that needs a backstory. The character in question is a male drow warlock, who came to Waterdeep from the Underdark. He’s really hoping that Lolth will just forget about him and let him figure out how to be a person.

May 2025 Book Recommendations: AAPI Heritage Month

May is Asian-American and Pacific Islander (AAPI) Heritage Month! Asian American Heritage Month began in 1979 as Asian/Pacific American Week. In 1992, May was permanently recognized as Asian/Pacific American Month. May is a significant month in Asian-American history, as the first Japanese immigrants arrived in the U.S. on May 7, 1843. On May 10, 1869, the first transcontinental railroad was finally completed, which was constructed in part by over 10,000 Chinese workers who faced dangerous conditions, low pay, and discrimination. AAPI month recognizes the contributions of Asian-Americans and Pacific Islanders while celebrating a myriad of rich cultures. 

This month, you get extra books! Asia and the Pacific Islands are huge areas with many diverse cultures, and there’s no way I can cover everything with just a few books. This year, there are two nonfiction books focusing on Asia, as well as one for the Pacific Islands. Normally I would only have one book for Asia in either category, but Banned Book Club feels so pertinent to the time we’re living in now that I had to include it. As it’s part of Korean history and takes place entirely in Korea, I wanted to highlight a book about the Asian-American experience as well. 

A quick note on the authors’ names: in many Asian countries, the family name comes before the personal name. Additionally, Asian immigrants may choose Western names for themselves after moving to a Western country. For this list, I’m using the names the authors were published under. 

Nonfiction

Almost American Girl by Robin Ha

This graphic novel memoir explores identity, adolescence, and the ups and downs of being an immigrant in America. Robin and her mom don’t always see eye-to-eye. Even so, they’re a team with an unbreakable bond. Robin doesn’t know why her mom wants to take them on a vacation to Alabama in the United States, but their trips together are so much fun, Robin trusts her. There, Robin meets Mr. Kim and his family, all Korean-American immigrants. Then Robin’s mom startles her when she announces they’re not going back to Korea. She and Mr. Kim are getting married and staying in America. Robin is suddenly separated from her home, her friends, and her beloved comic books without warning. Her mother insists that they will have a better life in America, away from the stigma of being a single parent, but Robin – doesn’t believe her. Robin enrolls in an American high school where he struggles with fitting in, learning English, and bullying from racist classmates and a manipulative cousin. Difficulties in her mother’s marriage, especially conflicts with her in-laws, add an extra layer of stress in Robin’s new home. As Robin finds her place in America, her strong bond with her mother carries both of them through their new lives as Korean-Americans. 

Banned Book Club by Kim Hyun Sook and Ko Hyung-Ju. Illustrated by Ryan Estrada. 

Hyun Sook’s first day of college in 1983 didn’t go like she expected. Her college campus is disrupted by student protests against South Korea’s Fifth Republic, a military regime with a history of censorship, torture, and murder. Hyun tries to keep her focus on her studies and the masked dance club, but things take an unexpected turn when she gets invited to a book club. Hyun thinks that she and other students will be discussing Western classics like Shakespeare or The Scarlet Letter, but is shocked to learn that it’s actually a club dedicated to reading books banned by the regime. The banned book club does much more than that to stand up to the government, like organizing protests and publishing illegal newspapers. As Hyun learns the truth about the world around her, she becomes more and more involved with the Banned Book Club and their activities. However, fighting back puts her and her family in danger. Banned Book Club is a graphic novel memoir with a unique illustration style. I wanted to highlight this one because it explicitly talks about how disinformation and censorship are tools used to create and aid unchecked power and violence. 

Poūkahangatus by Tayi Tibble

In Poūkahangatus (incisively pronounced “Pocohontas”), New Zealand poet Tayi Tibble explores what it means to be Māori, a woman, and a Millennial/Gen Z. Written in free verse and prose poetry, the collection tackles bigotry, sexism, and Indigenous representation in media. There’s also warmth and nostalgia as Tibble writes about her mother and childhood. My favorite poems were “Cowboys and Indians” a sly condemnation of the White Savior Complex, and “Vampires versus Werewolves.” At first glance it’s a poem about being a teenager at the height of Twilight’s popularity, but unfurls into something much deeper and more complex (“It’s the boy who cried wolf,/but in reverse you cry sheep and/nobody believes your bleating”). Poūkahangatus is a fantastic North American debut, and Tibble as a poet to watch.

Bonus Book: 

Paper Son: The Inspiring Story of Tyrus Wong, Immigrant and Artist by Julie Leung. Illustrated by Chris Sasaki.

Tyrus Wong (born Wong Gen Yao) immigrated to the United States from China in 1919 as a paper son, pretending to be the child of another Chinese person who had received U.S. residency. At age 9, he was temporarily separated from his father and detained at Angel Island Immigration Station before being allowed to enter the country. Tyrus and his father faced discrimination, but nothing dampened his love of art. Tyrus would become an artist for Disney, and eventually the lead artist for Bambi. He combined Eastern and Western art styles to create the film’s gorgeous backgrounds, but was fired soon after, and never got full credit for his work until recent years. This picture book biography is told with beautiful, impressionist illustrations.

Fiction

Ninetails: Nine Tales by Sally Wen Mao

Foxes populate folklore throughout the world. In Chinese mythology, hulijing, or fox spirits, can take on different forms, both benevolent and antagonistic. Ninetails is a collection of nine stories inspired by fox spirit lore. A cursed boy attempts to befriend his ostracized hulijing classmate; a vixen takes revenge on an abuser; a woman shrinks to be the size of wasps while an imposter takes over her life. My favorite was “Lotus Stench” in which a fox and a ghost become roommates. Another story runs through the book at interludes: “The Haunting of Angel Island.” Each part tells the story of a paper daughter detained at Angel Island while waiting for her interrogation to be let into the United States. These interludes are utterly absorbing and were some of my favorite parts of the book. A collection of surreal and engaging stories and historical fantasy.

Sharks in the Time of Saviors by Kawai Strong Washburn

When he was seven years old, Nainoa fell overboard a glass-bottomed boat and into the ocean. He was returned to the boat gently, in the jaws of a shark, holding him as gently as a baby. Since then, Noa has been regarded as a miracle, and everyone in Kalihi knows it. Behind closed doors, Noa struggles with the expectations thrust upon him, while his siblings ache to be seen as something more than Noa’s brother and sister. As time passes, all three are drawn away from the Hawaiian Islands. Eldest brother Dean attends college in Spokane on a basketball scholarship with dreams of fame; Noa’s younger sister hurls herself into rigorous academics and increasingly bigger risks in San Diego. Nainoa works as an EMT in Portland as he tries to understand his abilities, and what he should be doing with his gift. Through all of this, their mother, Malia, believes that Noa has been chosen by the gods to do something great. Tragedy draws the family back together, where they must reconcile their complicated bonds and failures. Sharks in the Time of Saviors is a lyrical family saga with Indigenous Hawaiian religion and mysticism woven throughout. 

Bonus Book

Aloha Everything by Kaylin Melia George. Illustrated by Mae Waite.

A baby nestled under the branches of a koa tree grows to become a proud and strong Hawaiian woman in this vibrant picture book. Through breathtaking illustrations and verse with Hawaiian words sprinkled throughout, the reader watches the girl grow and learn. The book is a celebration of hula, nature, and Hawaiian history and culture. A glossary and pronunciation guide of Hawaiian words is included. What did hula teach her?  What did hula teach you? 

March 2025 Book Recs: Women’s History Month

Without in any way limiting the author’s exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models


March is Women’s History Month in the U.S.! Women’s History Month began in California in 1978 as “Women’s History Week.” It was kicked off the week of March 8, International Women’s Day. In 1987, Congress designated March as Women’s History Month. It’s kind of crazy to me that Women’s History Month isn’t even 40 years old yet! 

Women’s History Month is a time to celebrate the achievements and contributions of women that have often been left out of history books. It’s also a time to celebrate the women and girls leading us into the future. 

Quick note: There won’t be a book list for April, but you’ll be getting extra for May.

Nonfiction

Jane Against the World: Roe v. Wade and the Fight for Reproductive Rights by Karen Blumenthal 

I can think of no topic that’s as controversial or ignites as many passionate debates than abortion. But how did we get here? How did women get abortions and reproductive care before Roe vs. Wade? And what comes after it? Jane Against the World looks at the history of abortion and birth control in the United States, reform and repeals, and Roe vs. Wade. The book is broken into four parts. Restrictions is dedicated to the history of abortion and abortion providers in the United States from the 1800s to the 1960s, and highlights the Comstock Act of 1873, about which much debate has arisen following the Dobbs vs. Jackson Women’s Health Organization in 2022. Reform covers reform of abortion laws, legal gray areas of performing abortions, and the beginnings of the pro-life movement, and the road to Roe v. Wade. In part 3, Roe v. Wade, Blumenthal breaks down the complex case in a way that every reader can understand, and goes into detail on court memos, opinions, especially Justice Harry Blackmum’s contribution to the Court’s decision. After Roe chronicles the pushback against Roe v. Wade, including violence against abortion providers and laws that restrict abortion at the state level. Written in 2019 and published in 2020, this book does not include the Dobbs decision that overturned Roe in 2022. While abortion is not an easy topic to read about or discuss, it’s very important to understand how we got to where we are today. 

Fiction

When the Mapou Sings by Nadine Pinede


This novel in verse begins in 1936, two years after the United States ended its occupation of Haiti. While things are still dangerous for those who would speak up against the government, Lucille and her best friend Fifina have big plans of their own. Hungry for knowledge, they dream of opening up a school for girls. Lucille’s world crashes down around her when Fifina’s father is imprisoned, Fifina disappears, and Lucille’s beloved Mapou tree is cut down by the section chief. After receiving a dream from the Mapou, Lucille confronts the section chief, hoping to find Fifina. This act of defiance puts her and her family in danger, and Lucille is forced to leave her home. She works first as a maid for a wealthy Haitian woman, and then for an American woman in Haiti for research. Lucille doesn’t know quite what to make of Mamzelle Hurston, but the two develop a special bond during their time together. Working for Mamzelle Hurston opens up new doors for Lucille, even though it may lead her into danger and hard decisions. This is a fictionalized account of the real servant of Zora Neale Hurston during the time Hurston lived in Haiti, working on Their Eyes Were Watching God. Fictionalizing real people can be a touchy subject, but the setting and themes are thought-provoking. While I thought the ending tied things up just a little too neatly, I wanted to highlight this book because it takes place during a unique time in history which gets very little attention.

FFM 9: Butcher Bird and Spider Lily

Without in any way limiting the author’s exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models

July is Flash Fiction Month! I’ll be sharing short short stories here through the month of July. More notes about this story are at the end of the post.


“Are the cuffs really necessary?” Butcher Bird wriggled her arms, rattling the chain. “You know I can’t use my powers inside.”

Sitting across the metal table, Spider Lily glared at her. “You’re dangerous enough without them.”

Butcher Bird grinned. “Glad you remembered that.”

Spider Lily extended her arm and rolled up her sleeve. Unlike most superhero costumes, Lily’s was loose-fitting. At least a dozen spiders crawled up and down Lily’s arm. It was a warning. “The Association gave me ten minutes to talk to you. I want to hear your side of the story.”

Bird scoffed. “Since when do you want to hear my side of the story, Lil?” 

“I know we’ve had our differences, and that you’ve never been interested in joining the Association. But LAPH still sets the standards for what is and is not acceptable superhero behavior. We’ve ignored your previous infractions, but today you’ve taken things too far.” Lily pinched her fingers close together. “You’re this close to being declared a supervillain.” 

Bird let out a harsh, one-syllable laugh. “You people really have no perspective, do you? Do you know what that rocket was loaded with?”

“You impaled the CEO, several times, in a gigantic nest of barbed wire and left him to die.” 

Bird gestured to the emblem on her chest, which depicted a white and gray bird with a black mask around its eyes and at the tips of its wings: a loggerhead shrike. “Um, yeah. That’s kind of my whole thing. It was people, by the way.”

Lily’s brows met in a point. “What?”

“On the rocket. Not probes. It was a bunch of people in vegetative states. Their families thought they’d taken them off life support, but no, your beloved spaceman CEO thought they’d be excellent test subjects. Did he die, by the way? I didn’t get a chance to go back to check. You know. Because arrested.” She jiggled the chain of her cuffs again. 

Lily blinked several times. “He’s still alive, in the ICU.”

“Damn. Next time I’ll do better.” She sounded genuinely disappointed.

“See, that’s the kind of thing that makes you sound like a supervillain!” Lily huffed, then calmed herself. “How did you know there were people on that rocket?” 

“I got a tip-off.” Bird shrugged as best she could. “Someone who suspected her favorite uncle wasn’t going to the great beyond. At least not in the figurative sense.”

Lily narrowed her eyes. “Why would she tell you, and not us?” 

“Oh, she tried. She went to the cops first, then through the usual LAPH channels. Cops laughed at her, she was ignored by the hotline…thankfully, she found me.” A smug smile appeared on Bird’s face. “That’s the advantage of working with a small business.”

Lily jotted something down on her tablet. “Let’s talk about the cops.”

“Oh boy, here it comes…” Bird rolled her eyes. “They were shooting at me.”

“Because you were attacking a CEO at a rocket launch!” Lily slammed her hand against the table. “Three of them died, Butcher Bird. You’re really living up to your name.”

Bird quirked an eyebrow. “And?”

Lily straightened herself. “Superheroes are always meant to work with law enforcement, never against it.”

Bird’s face hardened. “Even if law enforcement was trying to help a megalomanic shoot coma patients into space, without their family’s knowledge or consent? You’re okay with that?”

Lily’s eyes flashed. “No. I’m not okay with that. But going off the knowledge the officers had at the time–”

“–which my source tried to tell them, but they ignored–” Bird cut in. “This is the problem with you Association people. Everything is black and white with you. But the people like me, who don’t live an ivory tower, or whatever your HQ is made of…” Bird scuffed her toe along the clean floor. “We know better. No one is totally good, and no one is totally bad. Just because you’re in the ‘Loose Association of Powerful Heroes’ doesn’t mean that you actually are a hero. Just because you destroy a launchpad doesn’t mean you’re bad.” 

“But you did destroy a launchpad. And a lot more than that.” 

Bird leaned back in her chair. “Hell yeah, I did. And I would do it all again.” 

“I think I’ve got enough here.” Lily stood up. “The sec-bots will see you back to your cell.” 

“So, am I a supervillain now?” Bird asked as she walked past. 

“I’m not at liberty to say.” Lily had her hand on the door. “It’s not my decision.” 

“Don’t give me that Association talk. Look at me, Lil. Look me in the eyes and tell me what you would do,” Bird challenged. 

Lily swallowed, and took in the face of the woman who used to be her friend. “I don’t know,” she admitted. 

“Not so easy, is it?”

“No,” Lily said quietly.

“As long as you know that.” Bird nodded. “Do what you have to, Lil.” 


This is another FFM challenge! Participants were given songs by other brave souls attempting FFM to use as inspiration for today’s story. This was inspired by “Renegade” by Styx (Butcher Bird being caught by the long arm of superhero law) and “My Back Pages” by the Byrds (“My guard stood hard when abstract threats/Too noble to neglect/Deceived me into thinking/I had something to protect/Good and bad, I define these terms/Quite clear, no doubt, somehow”)

Butcher Bird and Spider Lily popped into my head a few months ago, and I knew I had to write about them for FFM. I didn’t think this would be their introduction, though! Butcher Bird was always meant to be an anti-heroine, the song choices really screamed her name. I’ll probably have a couple other stories about these two, because I want to see them in action.

The loggerhead shrike is one of my favorite perching birds because they’re small and vicious. They impale their prey on thorns or barbed wire. And, credit where it’s due: the name Loose Association of Powerful Heroes was actually made up by my friend Sam, waaaay back, and I never forgot it.

Indie Review: OMG UR a Teenager!

I’m a Reedsy Discovery reviewer! I received a free ARC of OMG UR a Teenager! by Leslie Young for this review.

⭐⭐⭐⭐

Twelve-year-old Kat Cruz can’t wait for her next birthday. Before she can become a teenager, though, she’ll have to make it through seventh grade. The year starts off rough when her parents buy the most run-down house in the neighborhood, and a bully snaps a picture of Kat in front of her new house. She’s constantly stuck babysitting her younger brother, who thinks he’s a superhero. Kat’s editorials in the school newspaper make a splash, but not always in a good way. She’s also crushing on her new neighbor, Will, despite the fact that his mom doesn’t seem to like her. With new challenges every day, will Kat make it to her thirteenth birthday in one piece? 

OMG UR a Teenager by Leslie Young is a contemporary slice-of-life novel full of clear, crisp writing that makes it easy for young readers to get into the story. The relatability will keep them invested throughout the book. Kat experiences things that many kids going through pre-adolescence face: bullying, the excitement and mortification of buying your first bra, and changing family dynamics. Most of all, she wants to be seen as the mature nearly-teen she is, not a child and permanent babysitter for her little brother, Max. Tween readers will understand exactly how she feels, and adults will easily recall both the joys and pains of middle school.

Kat’s family dynamic is true to life as well, with well-intentioned parents who don’t understand their daughter’s point of view, an annoying little brother that Kat loves (even if she wants to kill him sometimes), and her vivacious grandmother whose Alzheimer’s puts extra strain on the family. Kat’s and Max’s relationship is developed particularly well, showing their closeness (especially in the climax), even if they don’t always get along. However, Gran’s storyline wasn’t as well-developed, making her inclusion in the book feel unnecessary.

At times the story can feel disjointed, such as an abrupt cut from summer to Halloween. Like Gran’s story, some plot points are dropped without a conclusion. Kat’s narration is also, at times, too mature to be realistic for a twelve-year-old. While adult readers might have to stretch their suspension of disbelief at some of Kat’s inner monologues, tween readers may find her insights useful in their own lives.

Overall, OMG UR a Teenager is a warm-hearted, relatable story for tweens, and anyone who’s ever been one.

March Book Recs: The Troubles

March is Women’s History Month, and it’s also Irish Heritage Month! I’ve decided to combine both of those things for this list. Media often show stereotypical depictions of the Irish, flattening an entire culture into a few jokes about alcoholism and leprechauns. Like millions of Americans, I have Irish heritage, and these depictions have always irked me. 

One part of Irish history that has long been close to my heart is The Troubles. The Troubles were 30 year period of political and sectarian violence between Unionists and loyalists (mostly Ulster Protestants) who wanted Northern Ireland to remain part of the U.K., and Irish nationalists and republicans (mostly Irish Catholic) who wanted Northern Ireland to join the Republic of Ireland. The Troubles officially came to an end with the 1998 Good Friday Agreement, which ended much of the violence in Northern Ireland. But my personal connection with The Troubles isn’t just from my Irish-Catholic heritage or watching the show Derry Girls. In the early 2000s, my family hosted a girl from Derry for three summers. Those were the best summer vacations I’d ever have. My mom described them as “a six-week sleepover.” While our guest did talk about some of the violence she and her family experienced, my memories of her and our summers together are full of laughter, dares, and the filthiest jokes I’d ever heard. 

For the March recommendation list, I’ve chosen two books where The Troubles play a central role in the lives of women. These are both great as audiobooks. Other than the readers’ lovely Irish accents, you’ll also be able to hear the correct pronunciation of Irish words.

Nonfiction

Thin Places: A Natural History of Healing and Home by Kerri ní Dochartaigh

Kerri ní Dochartaigh was born in Derry halfway through The Troubles to a Protestant father and Catholic mother. She lost two homes in the span of one year, once due to a petrol bomb, and once due to harassment. To escape the violence in Derry, she found solace in the natural world, in her cement-filled backyard and “thin places” where the Veil between this world and the spiritual one is thin. ní Dochartaigh’s memoir is one of great sadness as she writes about the emotional scars that have shaped her entire life. Yet there is great beauty to be found in it as well, as she tenderly writes about her beloved thin places, the endangered Irish language, the resiliency of moths, and what it means to be an Irish woman. She also discusses violence in Northern Ireland following Brexit, and what she fears and hopes for Derry, the city she loves and hates. Often heartbreaking, Thin Places is a gorgeously written meditation on loss, trauma, and healing. 

Fiction

Factory Girls by Michelle Gallen

It’s 1994, and smart-mouthed Maeve cannot wait to get out of her small town in Northern Ireland and start studying journalism in London. She and her friends Caroline and Aoife must first get their exam results to confirm their places in their chosen universities. To save up for their futures, the three young women get jobs in the local shirt factory for the summer. The job brings new challenges Maeve has never faced before: ironing 100 shirts a day, working alongside Protestants for the first time, and avoiding the advances of the factory’s lecherous English owner, Andy Strawbridge. Tensions rise between the Catholic and Protestant workers whenever there’s a bombing or murder, which occurs all too frequently. As the summer goes on, Maeve starts to realize that there is something going on behind the scenes at the factory, but standing up for herself and her friends could cost her dearly. Flashbacks show Maeve’s experiences growing up during The Troubles, including the death of her elder sister and bombings that were called “lucky” because everyone survived. As a slice-of-life novel, the plot can feel thin at times. However, Maeve’s narration and snappy dialogue is laugh-out-loud funny, and watching her and her friends find their path to adulthood is satisfying. Though the main characters are teenagers, frequent sexual references make this a book better suited to an adult audience.

Once Upon a Time: Traditional Literature

Without in any way limiting the author’s exclusive rights under copyright, any use of this publication to “train” generative artificial intelligence (AI) technologies to generate text is expressly prohibited. The author reserves all rights to license uses of this work for generative AI training and development of machine learning language models.


Apologies for missing last week’s post; I was ill. 

I want to take a break from our regularly-scheduled book rants to talk a bit about traditional literature. The term“traditional literature” might conjure up images of stodgy old books with nigh-unreadable prose for the modern reader. But you might be surprised to learn that you’ve probably been reading traditional literature since you were a kid! Traditional literature encompasses stories and poems that have been passed down from generation to generation, such as myths, fairy tales, and nursery rhymes. 

Traditional stories rely on patterns, motifs, symbols, and tropes. These stories were passed down orally long before they were ever written down, and using those storytelling devices helped both the teller and the listener to remember the story. Familiar patterns also helped listeners participate in stories by providing clues about what will happen next. We still use many of these today, opening with “once upon a time” and ending with “and they lived happily ever after.” 

Folk traditions in storytelling are both unique and universal. Many folklore stories from across the world share the same tropes, but use the story teller’s culture as a backdrop for the tale. Compare “The Rough-Faced Girl,” “Mufaro’s Beautiful Daughters,” and “The Irish Cinder Lad.” They’re all versions of the French Cinderella story, but come from the Algonquin Nation, Zimbabwe, and Ireland, respectively. 

Settings tend to be used again and again, with reliable associations. In the Anglo-European tradition, many stories start in a cottage, where simple, everyday folk live. A castle is where some aspire to be, and reaching it symbolizes success. The forest is dark, where mysterious creatures live and dangerous and unpredictable things happen. The road is where characters encounter new people and influences. This is a place where change occurs. 

Characterization relies heavily on archetypes. Each character plays a clear role: hero, villain, helper, trickster, numbskull, etc., though some characters represent more than one. In Jack and the Beanstalk, for example, Jack is both a hero and a trickster. 

Traditional stories often follow the monomyth structure, sometimes called the hero’s journey. The hero begins living a simple life at home, but problems arise that call them to go on a quest. They face challenges, meet a helper (often a mentor-figure), are validated as a hero by powerful forces, wins their prize, and changes by the end of the story. 

There are also several different types of traditional stories, such as fables, legends, folk tales, tall tales, fairy tales, and myths. Some are meant to teach lessons, such as Aesop’s fables, and others attempt to explain natural phenomena, such as winter being caused by the goddess Persephone being in Hades. 

Now that we know a little about how traditional literature works, I want to talk about its importance. Like a lot of children, I knew stories like Little Red Riding Hood and Goldilocks and the Three Bears by heart before I could even read. I didn’t just learn traditional stories from books, either. I learned them from movies (especially Disney), TV shows, songs, crafts, and my friends. Fairy tales and other forms of traditional literature are ubiquitous in early childhood. 

I don’t think it’s just because these are well-known and well-loved stories that our parents and grandparents grew up with. Nor is it that they’re in the public domain and therefore free for media companies and publishers to create work from. Both of those things play a big role in keeping traditional tales a mainstay of our culture, but I don’t think they’re the only factors. 

I think another big factor that contributes to traditional stories surviving for centuries is how concrete they are. When you look at these stories, the protagonists typically need to overcome some physical obstacle, be it a big bad wolf or a wicked step-mother. Things also tend to be black and white: either you are good, and will have a happy ending, or you are bad, and will be defeated. Some stories may have a simple moral that a child can apply to everyday life. 

Young children are very much concrete thinkers. Abstract concepts can be difficult for them to grasp. Think back to learning math when you were young. Numbers are an abstract idea, until you have something to count. For me, learning addition and subtraction was the same as adding or taking away beans from a pile. In Piaget’s Stages of Cognitive Development, he theorizes that children have difficulty with abstract concepts until around age 12. Until then, children understand the world in a physical way.

That means there isn’t a lot of room for nuance when it comes to stories. The characters are good or bad; they will succeed or they will fail. I once heard a preschooler, upon seeing a picture of Elsa from Frozen, say that Elsa was “mean.” Elsa went from foe to friend over the course of Frozen, but for this child, Elsa couldn’t be both. She was the bad guy at the start of the movie, and for this child, that’s where she stayed until the end. 

Traditional stories don’t really have character development, except for maybe the character learning a lesson at the end. But the nature of traditional stories is that they don’t need character development. Little Red Riding Hood having a dark night of the soul in the wolf’s belly wouldn’t add anything important to the story, and it would confuse the heck out of its young readers. 

The black-and-white, simple structures of traditional stories combined with how prominent they are in children’s lives means that the messages in those old stories means that the messages within them are very easy to ingrain in a child’s mind. 

It’s also not a huge leap to say that old fairy tales don’t always have great messages by today’s standards. Damsels in distress and beauty equating to goodness are both common examples of this.* But there are also many lovely stories that have positive messages, too. One of my favorite fairy tales since I was a kid is the Three Billy Goats Gruff, where cleverness wins the day. There’s plenty of value to be found in traditional literature, and we should be conscientious of what stories, songs, and poems we share with children today.

*I also recommend against kissing frogs.

Feb. 2024 Book Recs.: Black History Month

And we’re back with two book recommendations for Februrary!

February is Black History Month in the United States! Black History Month was first conceptualized as Negro History Week in 1925, by historian Carter G. Woodson and the Association for the Study of Negro Life and History. Since then, Black History Month has evolved to be a celebration of the achievements of Black Americans, as well as a time to learn about and remember America’s troubled racial history.

Fiction 

All You Have to Do by Autumn Allan

It’s 1995, and high school senior Gibran is in trouble. Again. After (literally) pulling the plug on a racist talent show act at the beginning of the school year, he’s one stunt away from getting expelled from Lakeside, his mostly White prep school. His mom wants him to keep his head down for the rest of the year and graduate, but Gibran’s not so sure he can do that. Especially after the school refuses to honor his and other Black students’ requests to honor the upcoming Million Man March.  Soon, Gibran finds himself leading the charge against the daily injustices he and other Black students face at Lakeside, but his activism may put his future at risk. 

It’s 1968, and Columbia University student Kevin is outraged at his school. Columbia University is attempting to expand its reach into Harlem by building a new gym on public land, which would displace Harlem’s Black and Puerto Rican residents. Kevin tutors young Black men in Harlem, but he wants to do something more. After Columbia’s disappointing response to the death of Martin Luther King, Jr., Kevin joins the student resistance. The student protests evolve into the real-life campus takeover, with a shocking response. All You Have To Do is a character-driven novel that looks at Black activism and how it affects the characters’ lives, both positively and negatively. While Gibran and Kevin both feel called to action, they also come to see how their work can hurt their relationships – especially with Dawn, Kevin’s sister, and Gibran’s mother. The novel includes debates about whether radical action is the “right” way to protest, as well as discussions of the roles Black women play in activism. 

Nonfiction

Unequal: A Story of America by Michael Eric Dyson and Marc Favreau


Black history in the United States is too often flattened to just a few eras or movements: enslavement and the Civil War, the Civil Rights movement in the 1960s, and more recently, the Black Lives Matter movement. The history of race and racism in the U.S. is far more complicated, and not neatly divided into historical periods. Unequal is partially a collection of biographies of Black activists, starting with Mary Church Terrell in the 1890s, and concluding with the Black Lives Matter movement and Nikole Hannah-Jones. Some activists, like Martin Luther King, Jr. or Malcolm X are well-known. Less well-known activists like Ossian Sweet and Yusuf Salaam are a welcome inclusion. Interwoven with each biography is information about the time period, which describes the legal discrimination and cultural norms that made segregation and inequality acceptable. Each chapter also ties into the effects of racism today, including discrimination in housing, health care, and environmental racism. The book addresses how American history has been Whitewashed, and the importance of learning and remembering history. The afterword states that the historical events in the book are still reflected in the modern day, and calls on readers to understand the past. This is a great choice for teens and adults who want to learn more about Black history, and how systemic racism permeates American culture today.

Indie Review: Curse of the Terracotta Warriors

I’m a Reedsy Discovery reviewer! I received a free ARC of Curse of the Terracotta Warriors by Mark Douglas for this review.

⭐⭐⭐

When the police come to Maddie Jones’s school, she thinks they’re going to arrest her for one of her many pranks. But the truth is much worse: her archaeologist dad has been kidnapped (Or dadnapped?). Maddie is certain this has something to do with the shipment of Qin dynasty terracotta warriors that just arrived at her dad’s museum from China. With the help of her two younger brothers, Maddie will face untold dangers and unravel ancient secrets to get her dad back. And she thought climbing the rock wall in gym class was tough…

Curse of the Terracotta Warriors is an action-packed book that moves quickly. Almost every chapter ends in a cliffhanger, which keeps the reader tuning pages. Unfortunately, much of the action sequences in Part One can feel repetitive, and the novel would have benefited from tightening up the first third of the book.

Maddie is, far and away, the star of the novel. She’s bold, a natural troublemaker with a snarky personality that will instantly endear her to readers. Told from Maddie’s first-person point of view, her clear voice and colorful narration will leave readers cheering for her through the most dire situations.

There are a few writing pitfalls throughout the book. Capitalization is occasionally inconsistent, with some character’s names or the start of sentences not being capitalized while common nouns are. Another instance sees Maddie “hurtling” over an obstacle rather than “hurdling” it. These aren’t major issues, and nothing that another proofing wouldn’t fix.

The Chinese setting of Xi’an is bland and feels shallow and poorly researched. Characters refer to “Chinese letters” and the “Chinese alphabet” when it’s common knowledge that Mandarin does not have an alphabet. The characters also watch CNN in their hotel room in Xi’an and use Wi-Fi at a Starbucks to do research, despite the fact that Chinese media is heavily censored. The Chinese setting doesn’t pop enough, and these inaccuracies show through.

Even so, Curse of the Terracotta Warriors is a fun, entertaining romp with a vivacious protagonist that’s tough to put down. Its short, action-packed chapters make this a great pick for reluctant readers, and middle-grade kids who love adventures.

Sep. Book Recs: Hispanic Heritage Month

September marks the beginning of Hispanic Heritage Month in the U.S.! Hispanic Heritage Month begins on September 15 and goes to October 15. It’s a little unusual for a monthly observation to begin in the middle of the month, but there’s a reason for it. On September 15, 1821, Costa Rica, El Salvador, Guatemala, Honduras, and Nicaragua declared independence from Spain. Mexico declared its independence on September 16, 1810, and Chile did so on September 18, 1810. Almost 200 years later, Belize would declare independence from Great Britain on September 21, 1981. 

Hispanic Heritage Month celebrates the achievement, culture, and traditions of Latinx Americans of Mexican, Central American, South American, Caribbean, and Spanish ancestry. 

As always, I can only offer a smidgen of what is out there for books by and about Latinx individuals. If you’re looking for more, Pura Belpré award winners and honorees are a great place to start! There are also many Latinx authors and illustrators doing stellar work. To name a few: Alma Flor Ada, Julia Alvarez, Jorge Argueta, Monica Brown, Isabel Campoy, Joe Cepeda, Angela Cervantes, Veronica Chambers, Sandra Cisneros, Judith Ortiz Cofer, Raul Colón, Carmen Agra Deedy, Lulu Delacre, David Díaz, Angela Dominguez, Margarita Engle, Xavier Garza, Christina Díaz González, Carmen T. Bernier-Grand, Susan Guevara, Francisco Jiménez, René Colato Laínez, Rafael López, Meg Medina, Marisa Montes, Pat Mora, Yuyi Morales, Sara Palacios, John Parra, Celia C. Pérez, Pam Muñoz Ryan, Benjamín Alire Sáenz, Garo Soto, Francisco X. Stork, Carmen Tafolla, Raúl the Third, Duncan Tonatiuh, and Erica Velazquez. 

That’s quite a list! You’ll find some of those writers on this list as well. ¡Vamos a leer!

Nonfiction

Enchanted Air: A Memoir by Margarita Engle

Margarita is a child of two countries: the United States, and Cuba. Her mother’s country, Cuba, is a place of dancing trees, singing vendors, and beautiful forests and farms. Cuba is a place where Margarita can be brave – as brave as a boy. But most of the year she lives in Los Angeles, timid and lonely. Growing up in the 1950s and 60s, she doesn’t understand how two countries she loves so much can hate each other. As relations between Cuba and the United States worsen, Margarita wonders: will her relatives in Cuba hate her? Why is her mother choosing to be “stateless”? When will she visit her beloved Cuba again? In evocative verse, Engle shares her experiences growing up Cuban-American during the Bay of Pigs invasion and Cuban Missile Crisis, her summers in Cuba before the United States embargo against the country, and her deep and abiding love for words and poetry. 

Once I was You: A Memoir / Una vez fui tuí: Memorias by Maria Hinojosa

When Mexican-born Maria Hinojosa came to the United States as a one-year-old in 1962, she was nearly separated from her family. Only her mother refusing to leave her child allowed Maria to move to the U.S. with her family. In this memoir, Hinojosa chronicles her life and they many identities she has: an immigrant, a woman, a survivor of sexual assault, a wife, mother, and award-winning journalist. She started as an intern at NPR, pitching stories by day and waiting tables by night. Throughout her career, she sought to highlight human stories that are often overlooked, and give a voice to the voiceless. Yet this book is about more than one woman’s life. Opening on an encounter with children who were separated from their families while crossing the U.S.-Mexico border, Hinojosa gives a history of changing immigration policies from the 1960s to 2020, when the book was published. She explains the politics behind the end of Immigration Naturalization Services (INS) and the formation of Immigration and Customs Enforcement (ICE), and the societal and political changes that brought us to where we are now. Most sobering, Hinojosa describes the horrifying conditions of immigrant detention centers, and the ICE raids that help fill those centers. A powerful memoir of resilience, alongside painful reminders of the U.S.’s broken immigration system today. Published subsequently in Spanish. A young reader’s edition which focuses on Hinojosa’s childhood and adolescence is also available. 

Wild Tongues Can’t Be Tamed: 15 Voices from the Latinx Diaspora, edited by Saraciea J. Fennell

There are as many ways to be Latinx as there are Latinx people in the world. This essay collection gives voice to Latinx and Afro-Latinx writers’ experiences. Each essay has its own style and theme: “Eres Un Pocho” by Mark Oshira, written as second-person letters to a younger self, and “#JulianforSpiderman” by Julian Randall is a reflection of Afro-Latinx identity told alongside the story of Miles Morales. “More than Nervios” by Lilliam Riviera describes challenges Latinx individuals face in receiving treatment for mental health issues, and Jasminne Mendez recounts coming face to face with racism in theatre. Frequently underrepresented Latinx ethnicities are represented as well, like Honduran and Panamania writers. These beautiful, sometimes heartbreaking essays each tell a unique and personal story, often of seeking and discovering identity. Colorism is another prominent theme. Each essay is deeply human, and the struggle to understand yourself and your place in the world is something everyone can relate to, no matter their background. 

Inventing Latinos: A New Story of American Racism by Laura E. Gómez

“Race isn’t real, but racism is.” This is the thesis statement of Inventing Latinos. Published just before the United States’s controversial 2020 Census, Gómez presents a macro-level overview “the how and why of Latinx identity becoming a distinctive racial identity.” She starts with the legacies of Spanish colonization and American imperialism, the effects of which still echo today. She explores the complexity of racial identity with the mestizaje population, racially mixed people with Indigenous, Spanish, and African ancestry. She also discusses discrimination faced by Latinx Americans, particularly in schools, and that Latinx populations are often treated as a “buffer” group between White and Black populations in the United States. Gómez ends an overview of Trump-era policies steeped in anti-Latinx racism, and argues to list Latino/a/x as a race rather than an ethnicity on future censuses. While not everyone agrees with Gómez on this matter, this academic overview of Latinx identity contains important (if dry at times) information. 

A Land of Books: Dreams of Young Mexihcah Word Painters by Duncan Tonatiuh

Before the arrival of Europeans, Mesoamerica was an amoxtlalpan – a “land of books.” A young Mexihcah (Aztec) girl tells her little brother about the process of making books (amoxtin) to her younger brother, starting with their tlahcuilohqueh parents – painters of words. She describes the process, from creating paper pulp from tree bark and dyes from plants and insects to paint the books. The book informs readers about Mexihcah culture, including education, literacy, and religion. Nahuatl words are used throughout the text, with a glossary and pronunciation guide in the back. This picture book has beautiful illustrations, done in the Pre-Columbian style inspired by Indigenous Mesoamerican art. A detailed author’s note talks about the history of Mexihcah codices (of which only 15 remain) and the importance of preserving Indigenous art. 

Fiction

Cuba in my Pocket by Adrianna Cuevas

After the failure of the Bay of Pigs invasion solidifies Fidel Castro’s power in Cuba, twelve-year-old Cumba lives in fear. Fear of executions, fear of whispering neighbors, and fear of the soldier who seems to track his every footstep. In danger of being recruited into Young Rebels, and eventually military service, Cumba’s family decides to send him to the United States. After reaching Miami, Cumba must contend with not knowing English, strange food, and most of all, missing his family. He gradually adjusts to life in the United States, sharing Prima Benita’s house with two other teenage refugees. He deeply misses home, and struggles to hold out hope that his family will join him in the U.S. in the future. 

Woven in Moonlight by Isabel Ibañez

In this Bolivian-inspired fantasy, Ximena was left orphaned after the Llascan revolt leveled her home and forced Illustrians like herself out of La Ciudad. After the revolt, Ximena was plucked out of the rubble due to her resemblance to the last surviving Illustrian royal, the condesa Catalina. For ten years Ximena has acted as Catalina’s decoy, and only Catalina’s inner circle knows the truth. When the Llascan king Atoc demands the condesa’s hand in marriage, it is Ximena’s duty to go to the capital in her place. Yet she has no plans to see herself or Catalina married. Thirsty for revenge, she will spy and search for the Estrella, a mysterious artifact that Atoc used to summon an army of ghosts during the revolt. Using her gift to spin thread from moonlight, Ximena sends messages hidden in tapestries back to Catalina. Yet as she comes to know the Llascans around her – and the mysterious vigilante, El Lobo – she begins to question her mission. Atoc is too dangerous to remain on the throne, but is Catalina really the queen that they need?

Our Shadows Have Claws: 15 Latin American Monster Stories, edited by Yamile Saied Méndez and Amparo Ortiz

A black wolf with red eyes stalks a high school bully. Death welcomes a girl into her home. A girl raised as a vampire hunter prepares for the fight of her life. Our Shadows Have Claws is an anthology of fifteen different monster stories set across Latin America and the Latinx Diaspora. Despite what the title suggests, these are not all horror stories. Some are romance, some are heartwarming, and some will make you shiver when you hear something go “bump” in the night. Themes of racism and colorism are woven throughout; environmentalism, heritage, and finding home are other important themes. All but one of the stories star girls, but each lead character must face their fears to protect their loved ones, themselves, or just to discover who they are. “Beware the Empty Subway Car” by Maika and Maritza Moulite was my favorite, the story of a hidden lougarou who suddenly wants to be seen. If you like supernatural stories, there’s something for everyone in this collection. 

Gods of Jade and Shadow by Silvia Moreno-Garcia

The Jazz Age is in full swing, and Casiopea Tun has dreams – dreams of driving an automobile, swimming in the Pacific, and dancing fast in nightclubs. She has no way of chasing those dreams, living as her grandfather’s servant following the death of her Mayan father. She thinks she must simply wait for the old man to die before she can leave her small town on the Yucatán Peninsula…until she opens a mysterious box and accidentally frees a Mayan god of death from imprisonment. Hun-Kamé once reigned over the underworld Xibalba, until his treacherous brother beheaded him and scattered his eye, ear, finger, and jade necklace across Mexico. Hun-Kamé’s and Casiopea’s fates are now tied together, and she must help him retrieve what has been stolen from him. Their time is short – the bond between them drains Casiopea’s life and threatens Hun-Kamé’s godhood. Together, they travel across Mexico and face challenges Casiopea has only read about in books. A gorgeous fairytale, rich with Mayan mythology. 

My Papi Has a Motorcycle / Mi papi tiene una moto by Isabel Quintero. Illustrated by Zeke Peña. 

Daisy loves riding around town with her Papi on his motorcycle. Like a streaking comet, they fly through the neighborhood. Daisy can see how her city is changing: Don Rudy’s Raspados has shut down; new homes are being built where citrus groves once stood. Yet Daisy knows that, no matter how much her city changes, it will always be a part of her, just like her father’s love. With a beautiful palette of sunset colors, this picture book tells the story of a neighborhood gentrifying, but the strong sense of community binding it together. Published concurrently in Spanish and English, Spanish words are sprinkled throughout the English version. 

And for girls with dads with motorcycles, this hits straight home.