Tag / manga

by booksoverlookedblog

Dramacon 3: Big Eyes, Big Mouth

In the last post,I talked about how Christie grows as a character throughout the series. At first she’s a shy girl who lets everyone walk all over her. By the final volume, she’s a self-confident young woman taking steps towards a writing career.

She’s not there, yet, though. When she and Matt go for a coffee, she shows more of the “real” Christie. She’s witty and teases Matt, and it’s totally out of character of what we know of her. So much so that Matt calls Christie out on it.20190204_1128112218555465877020755.jpg

It’s kind of a jarring shift that gets hand-waved off. I interpreted it as Christie acting like her true self, a side of personality that gets subdued when Derek’s around.

We also get more information about Christie and Matt’s life outside the con. He’s a freshman in college, she’s a barely legal high school junior. I’m glad that the manga makes a point about Christie’s age. Otherwise, I’d just be too weirded out by the age difference to enjoy the story. Christie’s age also works well in terms of her character. It offers an explanation for her naivety, and reflects in her relationship with Derek. She’s in an unhappy, floundering relationship, but is still trying to make it work. She holds on to Derek too long because when you’re young and in love, you think you’re going to be that way forever.

We learn more about Matt, too, but not the full story yet. He wears sunglasses at all times, which Christie finds disconcerting. When she takes them off, she apologizes after seeing what he’s hiding. The audience doesn’t know exactly what she saw, but it’s enough to make her understand why he’s always wearing his trademarked sunglasses. Their banter and flirting come to an abrupt stop when Derek returns to the hotel and catches them in the act. He’s not happy with her, but she finally stands up to him. For a minute. 20190204_1130395556471477410251673.jpg

But when Derek says that he came back to the hotel to check on her – the bare minimum of what a good boyfriend should be doing – she instantly caves. It’s fair, I guess. I can’t get mad at Christie for not having a total change of character in a span of only a few pages.

Derek’s real motivation for returning to the hotel was to sleep with Christie while they had the room to themselves. It’s established earlier in the book that Christie lost her virginity to Derek, which is one of the reasons she’s holding on to him longer than she should. But she’s also expressed discomfort about sex throughout the book so far, to the point where she can barely say the word “sex”. Her blush when Derek pulls her close and general hesitation about sex  lead me to believe that she was pressured into sleeping with him for the first time.20190204_1133072403960851287740108.jpg

One of the things that’s disappointing to me reading this now is that Derek is just flat, flat, flat. He’s a bad boyfriend, and at no point is he given a shot at redemption. He’s manipulative and an all around antagonist. I would have liked to see more nuance from him, other than, “he’s a jerk.”

Well, I think Matt is right about this one.

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–

by booksoverlookedblog

Dramacon 2: Tentacles~

First of all, I apologize for the late post. Two big life events over the last week left me with not enough time, energy, or focus to work on this blog. I got engaged last week (yay!), which was shortly followed by my brand spankin’ new fiancé having knee surgery. His recovery is going well, but it also means I’ve had to step up a lot more around our home. Fortunately, things are settling down, so I’m going to try to keep a regular schedule again. Just don’t be alarmed if, instead of a normal post, you see a long, confused rant about color palettes and guest lists.

But we’re not here to talk about how planning my wedding scares me shitless. Instead, we’re here to talk about Dramacon, and pick apart a fictional character’s romantic relationships.

You see, Christie has a type. Unfortunately, her type is “snarky jerks”. She’s found an ally in the mysterious cosplayer Matt, but he’s also a total heel to her, too. He and Christie have chemistry, though, and he has a single advantage over Derek. Matt actually listens to Christie and wants to hear about her problems. Derek’s a pretty flat character, and he doesn’t get much development throughout the book. Matt at least has more facets to his personality, even if they’re hiding under mean one-liners.

I think there’s another reason that Dramacon appealed to me when I first read it at age eighteen. Apart from fantasizing about a con romance, Christie and I are similar in less than ideal ways. She’s a writer who creates comics, which is still an aspiration of mine. But she’s also a pushover who doesn’t always communicate her desires well. Like Christie, I’ve held on to relationships for too long, and put myself in uncomfortable positions to make a guy like me more. I’m glad to say that I’ve learned from those mistakes and I’m happier for it. Christie has a voice and a mind of her own, but right now, she’s holding herself back from speaking out.

Dramacon isn’t just a series about a girl falling in love at a con. As the series progresses, Christie finds her confidence and learns to advocate for herself. But she has to go through a lot of pain to gain that confidence and say what she really needs to. As someone who had a hard time with this for years – and still struggles on occasion – I think seeing Christie grow and change was something that really drew me to Dramacon.

To my credit, though, I at least knew what hentai was.

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To be fair, that’s how I feel about hentai, too.

Girl, I know you’re supposed to be an innocent character, but you’re at an anime convention. How do you not know what hentai is?!

The rest of her friends are going to the hentai screening, but Christie’s not into it. Instead of just saying she doesn’t want to go, she lies about having a headache. She goes back to the hotel, and runs into Matt in the elevator.

And Christie totally has a crush on him, even as she reminds herself she has a boyfriend. But it’s so cute! She and Matt don’t end up together by the end of this book, and that’s probably for the best. Apart from both characters’ need to mature, sometimes a romantic fling is as much about the setting as it is the person.

I developed a couple crushes at cons myself, one I even tried to follow up on by trying to friend the guy on Facebook. I knew I didn’t have a snowball’s chance in hell, with him living in Canada and us only having known each other for a few hours. He never responded to my friend request, and I went on with my life. No pining or lovesick sighs. When I did send that (ignored) friend request, I was trying to capture that moment. I wanted to extend the time we spent together, re-live the thrill of clicking with someone I’d never met before. It was all the potential of a relationship – romantic or otherwise – that would never become anything.

Christie’s crush is just that. A chance meeting and a bit of chemistry with someone who’s marginally nicer to her than her boyfriend. They become friends over the course of this book, but as of right now, their attraction is based purely on those fleeting moments.

by booksoverlookedblog

Dramacon 1: Welcome to the Jungle

From the amount of manga reviews on this blog, it won’t come as a surprise to anyone that I was an otaku when I was growing up. When I got to college, I started losing interest in anime, partly because I was cut off from my steady stream of Adult Swim and weekly allowance to buy manga. There were still some series I liked and followed, though, and Dramacon was one of them. I read this series for the first time only a month before my first anime convention. I was so excited to go, and ended up using it a template of what a con would be like.

It wasn’t exactly like Dramacon, though. I waited in line for six hours for registration, and by the time we were let into the con, all the panels were over and the merchants’ room was closed. We got to see the masquerade show and visit the artists’ alley. It was a fun and tiring time, and I really hoped that my next con would go a little smoother.

That’s the kind of memory that stirs up when I start Dramacon now. The excitement and anticipation of going to my first con, not really knowing what to expect, and at times being overwhelmed with it all.

I like the way the manga starts as well. Christie, her boyfriend Derek, and two friends are going to an anime convention. She and Derek have a booth at in the artist alley to sell a comic that they’ve created together. It’s the first day of the con, and she’s already having a hard time. Along with her friends accompanying them to the con driving her crazy, Derek is blatantly flirting with girls right in front of her. This all gets covered in the first couple pages. There’s not a lot of build-up and background, because it’s not needed.

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  Read from left to right!

The art’s not as good as I remember, and something about the way the artist Svetlana Chamakova draws mouths bothers me. I’m not entirely sure what it is, and complaining that they look “cartoonish” seems silly when I’m talking about a comic. They’re overexaggerated, which is okay for humorous scenes, but the first few pages are all done in this style. It makes Christie’s dilemma look funny, which makes it harder for me to take her seriously when she’s mad at Derek.

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That’s right. She’s mad at him, but she’s the one apologizing.

And rightly so. Derek is a tool, but Christie also lets him walk all over her. Throughout the course of the series, Chriss gets more confident and learns to stick up for herself, but that doesn’t happen here. Frustrated with her boyfriend, she runs off into the crowd, where she meets Matt.

I think this was the real appeal of the story to me: that serendipitous meeting with a handsome stranger at a con. Of course I secretly fantasized about meeting someone at a con and having a runaway 72-hour romance with them. I did meet some cool people, and developed a short-lived crush on one of them, but nothing ever came of it. I didn’t keep in touch with the people I met, and never got kissed by a cute cosplayer.

Christie’s story is the one my teenage heart always wanted to have, but following it would come with some serious drawbacks. Other than having a jerk boyfriend, Christie is also dumb in the way she approached the con as a whole. For instance: she didn’t know her favorite manga artist and writer would be there. At the last con I went to, I went specifically for a chance to meet an actor I loved. Christie also didn’t know that there was a program detailing the different panels and events going on. How did she miss this? I’ve never been to a con where there wasn’t a program right at the entrance or registration booths.

If I really wanted to get into the nitty gritty, I guess this could be read as Derek trying to gaslight his girlfriend,  but to be totally honest, I just don’t think he’s that smart. He’s an asshole, though, but Christie is a wet blanket. Until Chriss stands up to him, he’s going to get away with everything.

by booksoverlookedblog

Paradise Kiss 10 + Omake

Well, it’s finally time to wrap up Paradise Kiss.

The final chapter is also the shortest in the book, but I’ll start with the cover page.

Isabella more appearances
Me too, Isabella. Me too.

I remember liking Isabella’s character the first time I read through Paradise Kiss. Isabella was the first transgender character I was aware of who wasn’t treated as a punchline. One of my favorite side stories showed her shared childhood with George, when she was being raised as a boy. The first dress George made was a gift for her, and helped her find her identity as Isabella. Throughout the manga she shows herself to sweet and caring, and has a deep bond with George, sticking with him through thick and thin.

The first volume focused mostly on Yukari and Miwako, so there wasn’t a lot of room for Isabella this time around. But this cover page almost makes me want to continue reading Paradise Kiss just to see more of her.

Unfortunately, that’s not going to happen in this book’s final chapter. But we do see Yukari start to grow up. Up to this point, she’s idolized her crush, Tokumori. But in this chapter she starts to see his flaws, too, and realizes he can be mean and petty. Instead, she turns her attention towards George, waiting for him to call her.

Except that she pretends that she’s not. This is another instance of “so high school”: acting like you’re not waiting for him to call, or pretending that this guy isn’t in your mind all day. When they finally do meet up, Yukari shouts at George for making her wait and for not calling, and George gives her a chance to back out of modeling. Tears running down her face, Yukari says that she’ll keep working, and she and George finally share their first kiss.

There is a lot of high drama and angst, and Yukari and George’s relationship ultimately doesn’t last. But it’s still rather sweet: your first kiss, and your first love. That’s also pretty high school, but in a good way.

The last section of this book is the “omake”, or bonus. Omakes are sometimes at the end of a manga volume that might show behind-the-scenes creation, or just have the characters being silly. What caught my attention, though, was just how dated it was. There’s a reference to the Sega Dreamcast, discontinued in 2001, and Geocities, closed in 2009.

Time waits for no man, I suppose. For no man, and no manga.

by booksoverlookedblog

Paradise Kiss 9: So High School

This chapter reminded me why Paradise Kiss is a great series for high schoolers, and  no one else. After her close call with George, Yukari meets back up with Miwako, who’s been crying and is clearly upset.

Something struck me about Paradise Kiss here, which makes it stand out from other drama/romance manga. The “Ordinary World” portion of the story is barely there.

In a lot of manga, particularly shojo manga, the first chapter is normally dedicated to showing the protagonist’s every day life before her world is turned upside down by a handsome stranger. This usually includes friends, family, and school life, if she has one. But Paradise Kiss doesn’t give us that introduction. It starts with Yukari running into Arashi and Isabella by chance, and goes from there. We don’t really see what her life was like before this.

Then again, we don’t really need to. At the start of the manga, she doesn’t have much personality, but develops as a character over time, with the help of her colorful new friends. Her backstory unfolds throughout the story, and here it focuses on her crush on Tokumori. Later books will also explore Yukari’s relationship with her demanding mother, and the rest of the characters’ pasts as well.

Here we learn that Yukari is a good friend, even if the only person in her “ordinary world” we’ve seen her interact with is Tokumori. When she sees that Miwako’s been crying, she wants Miwako to tell her about what happened, even if it’s something that Yukari won’t like to hear.

As Miwako explains the love triangle between her, Tokumori, and Arashi, the only thing I wrote in my notes was, “so high school”.

I don’t think that teenagers are too young to fall in love and have deep and meaningful relationships, or that relationship drama magically ends when you graduate. What tipped the “so high school” balance for me wasn’t just the drama, but Miwako’s idealization of Arashi and and Yukari’s naive advice to her.

For some context: when Miwako lived close to both Arashi and Tokumori, she fell for both of them, and they fell for her. Arashi demanded that she choose between the two. After Miwako chose Arashi, he said that he never wanted her to see Tokumori again. Arashi’s already shown himself to be rude and brash, and we can add “jealous” and “possessive” to his list of negative traits. These are traits that Miwako could have romanticized. He’s jealous because he cares so much about her, while ignoring the other implications of his jealousy.

20180729_1843315851879524899115920.jpgYukari doesn’t help much when it’s her turn to give advice. She admits that she’s probably the worst person to give Miwako advice on her love life, and when she does, it sounds like…well, it sounds like it’s ripped straight of a shojo manga.

In this situation, it’s the blind leading the blind, and with no other experience to build on, they both have to let their emotions be the guide.

And that is why this is “so high school”.

by booksoverlookedblog

Paradise Kiss 8: Frozen Yogurt of Romance

The eighth chapter of Paradise Kiss begins and ends with shots of Miwako and her talk with Tokumori, but for the most part focuses on the budding relationship between George and Yukari. I mentioned before that I don’t like the way George goes out of his way to get under Yukari’s skin, and Yukari explains exactly why.

Yukari hits the nail on the head with her narration:

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There’s an ambiguous zone between flirting and an actual relationship, and being stuck there indefinitely is maddening. George is keeping Yukari there because it’s fun for him to see her flustered, even if he does actually like her. George is the frozen yogurt of boyfriends:

tenor

Yukari decides to take control of the situation, rather than let George keep manipulating her. She challenges him in a way that kind of sounds…well, just as bad as George’s attitude.

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As they are about to kiss, George gets a call, and answers his phone instead of paying attention to Yukari. This was a pretty telling moment for the character: he cares about fashion and his work more than he cares about her. This is also a great moment of foreshadowing. Spoiler alert for an almost twenty-year-old* manga: George and Yukari do not have a happily ever after. In the end, they drift apart, focusing more on their careers than each other.

Chapter 8 was short, and I don’t have a snappy way to end this, except to say that George is a heel, but so is Yukari.

 

by booksoverlookedblog

Paradise Kiss 5-6: Shall We Model?

I’ve decided to combine chapters 5 and 6 in a single post, as not a whole lot happens in chapter 5. Yukari agrees to model for the Paradise Kiss studio, and the Yazawa Arts kids throw a party to celebrate. Thinking the champagne at the party is non-alcoholic, Yukari accidentally gets drunk and falls asleep at the studio. She misses cram school, and George takes her home.

There’s not a lot of substance in this chapter. As I read through it, I only ended up making two notes: there wasn’t a lot of George this time around, and the art is very pretty.

The sexual tension ramps up at the end of the chapter, when George takes Yukari home. He leans in, and it looks as though he’s going to kiss her. Instead, he only tries to wipe her makeup off, so Yukari won’t get in trouble with her parents.

A lot of romance fiction, as I understand now, is really about the build-up between the presumptive couple. I don’t really feel this moment of a potential kiss, though. Maybe it’s because I already know where the series is going, or because George still hasn’t gotten a lot of screen time so far. Maybe romance stories just aren’t my cup of tea.

At least it’s nice to look at.20180709_1158188767141281503960383.jpg

The next chapter has a bit more story to it, and goes back to the potential love triangle between Yukari, Miwako, and Tokumori. Love square, if you include Arashi in that as well.

I also noticed another moment that might not translate well to American audiences. After several instances of non-sexual physical contact between Yukari and George, Yukari wonders, “why does he always touch me?” It was something that I wouldn’t have even thought of the significance of when I first read this.20180709_1157294692829488967709785.jpg

I took three semesters of Japanese in college with a professor who taught the class with a large focus on Japan’s culture. The personal stories he told us and some of the cultural difference between his life in Japan and in America are things that I remember long after I’ve forgotten katakana and how to conjugate verbs.

In college, many of my friends were very physically affectionate. There were always lots of hugs, play fighting, and back scratches. During my first semester taking Japanese, there was a girl who sat next to me and often hugged me. Then one evening, my professor addressed the class about our American habits that wouldn’t be permissible in a Japanese classroom.  Make sure your cell phones are off, always arrive on time, and please, cool it with the hugs. The lesson was further reinforced when we watched the Japanese film Shall We Dance? Our sensei explained that the film had been inspired by the fascination of American couples, openly taking each other in their arms, and dancing. Watching the American version of the film only further accentuates the differences between American and Japanese culture when it comes to touch.

Americans still like their space, but casual touching between friends or relatives isn’t uncommon. Whereas in Japan, touching others, particularly those you don’t know well, wouldn’t happen often. George constantly touching Yukari could be seen as downright weird, or George may be implying that they have a deeper relationship than they actually do.

Chapter 6 also gave me the first real reminder of how much time had passed since this manga was published. The first volume of Paradise Kiss was released in 2000, and for the most part, it holds up well. However, there are a few instances where (as TV Tropes puts it) Technology Marches On. Here’s the first one, when Yukari and Miwako exchange phone numbers.20180709_144952104498298163815428.jpg

Had this come out today, those phones would have looked very different. Furthermore, Miwako has to teach Yukari how to become “pen pals” with her. There’s no way a seventeen-year-old today wouldn’t know how to do that. Later in the chapter, Yukari wants to invite Miwako, Arashi, and Tokumori out for tea but doesn’t know how to get in touch with them. Then she remembers that she has Miwako’s phone number. Had this come out today, or even five years ago, Yukari wouldn’t even have had to wonder. Texting has basically become second nature.

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The reason Yukari wanted to invite Arashi and Miwako out to tea is so they can reunite with their childhood friend, Tokumori. Yukari had been startled, and a little jealous, when she realized that Miwako and Tokumori knew each other. This is because Yukari has a big crush on Tokumori, or at least is trying to convince herself she does.

When Yukari’s mind wanders over to George, she tries to shove him out of her mind. Instead, she even makes herself list the things she likes about Tokumori, and manages to come up with about three things. Then, when she asks him to tea, the conversation is…incredibly awkward.

All this makes me wonder: Has Yukari ever actually had a conversation with Tokumori before, outside of exchanging pleasantries? Until now, we’ve seen him compliment her new haircut, and nothing else. No wonder she’s attracted to George: he’s handsome, interesting, and they’ve had real conversations together, even if it’s only once or twice.

by booksoverlookedblog

Paradise Kiss 4: Childhood Friends

Something didn’t occur to me until just now as we dive further into Paradise Kiss: we’ve never seen Yukari’s “ordinary day”. Most stories, particularly those that follow a monomyth structure, usually have this “ordinary day” at the beginning, where we can see what the main character’s life is like before the adventure starts. This gives us a frame of reference for how the character’s life is about to be turned upside down, be it by hatching a dragon or meeting someone new. But we haven’t gotten your typical “ordinary world” with Paradise Kiss. There’s maybe two pages in the beginning of the book that focus on Yukari’s thoughts before she gets spotted by Arashi and Isabella, and taken to their studio.

And yet, without a typical ordinary day sequence, we get a good sense of what her life is like. School, then cram school, all the while wondering what she wants out of her future. I think the strangeness of going to the studio and meeting George and his crew would have been better emphasized by showing this ordinary day, particularly for non-Japanese audiences, but it’s not necessary.

I only noticed this because chapter four is the first time we actually see Yukari at school, but we know from her narration that school is one of the biggest stressors in her life. We also – finally – meet Hiro Tokumori. Tokumori is one of Yukari’s classmates, and she has a big crush on him. In the first chapter, Yukari accidentally leaves her student passbook in the studio, where she happens to have a picture of Tokumori. She is

mortified at the thought that George might have seen the picture.

However, the day at school doesn’t last long, and we don’t see much of Tokumori. What I like about the Paradise Kiss studio crew is that, even if they haven’t had much screen time yet, I can already see some of their inner worlds, Miwako’s in particular. But not so with Tokumori. I’ve read the entire Paradise Kiss series before this, and honestly…I can’t remember a thing about his personality.

At this point, Tokumori’s presence and the photo is really only there to show Yukari’s budding attraction to George, though she won’t admit it yet, and probably doesn’t know it herself. It turns out George never saw the photo of Tokumori, and Yukari’s incredibly relieved. Here we see the beginnings of a conflict that has nothing to do with the fashion show. Yukari has a big crush, and she doesn’t want George to know about it. As I mentioned in my last entry, a good romance should have some realism to it, and this is exactly it.

After school, Yukari goes back to the studio, though she hasn’t decided yet whether she wants to model or not. She receives 20180625_102741133643277095666020.jpga shock after interrupting Arashi and Miwako making out on a pool table in the studio. Even though Yukari has stopped looking down on the art school kids by now, there’s still a gulf between her and them. It’s not that she’s shocked at the making out, that would surprise most people. But rather, Isabella, who is transgender, helping Miwako button up her shirt after.

While Miwako and Arashi are both pretty comfortable with Isabelle, Yukari can’t help thinking of her as a man, and it’s one of those things that gets brought up a couple times in this volume. To her (and Yazawa’s) credit, Yukari doesn’t say anything hateful to Isabella about her being transgender. Right now it’s just something she’s geeked out about, but as the series progresses, that strange feeling Yukari has towards Isabella fades away, and soon Isabella’s gender identity isn’t an issue for her.

Embarrassed about the situation, Yukari offers to go out and get tea for everyone, and Miwako tags along. While they’re alone, Miwako asks Yukari about the photo of Tokumori in her student passbook, incorrectly assuming that Tokumori is Yukari’s boyfriend. As it turns out, Miwako, Arashi, and Tokumori used to live together in the same apartment. When I first read this, I assumed that they meant the same actual apartment, but now I realize that they could mean just the apartment building. It’s not entirely clear.

I only recently learned that before Paradise Kiss, Yazawa published another manga, Gokinjo Monogatari, which follows Miwako’s older sister, Mikako. Gokinjo Monogatari may answer some of the questions I have about Miwako’s and Arashi’s past, but I’ve yet to read it.

As far as the childhood friends turned lovers trope, I don’t hate it, but it’s not my favorite, either. I just don’t see it as all that realistic, depending on the age of the characters. I can buy high school sweethearts who fell in love, parted ways, and came back together. But I don’t think falling in love with your childhood friend that you’ve spent most of your life with is that realistic. Part of this is the Westermarck effect, which hypothesizes that children who live closely together during their early years will not find each other attractive as they grow older, seeing each other more as brothers and sisters than potential mates. Like most social theories, it can’t be proven or disproved, so I would like to offer up one of my own:

You just get sick of each other.

When you spend almost all of your days with one person, there are times when you’re going to get tired of each other. You’ll get irritated and fight, and need to take a break, be it for a few hours or a few days. It doesn’t mean that you don’t care about each other, it just means you need a break. This happens with friends, siblings, lovers, just about anyone who lives in constant close contact with another person. Often, the root cause of many of the fights I had with my sister were just because we’d spent too much time together.

This is actually addressed in the manga, when Arashi and Miwako are going through a rough patch. Miwako is concerned about Arashi’s silence, and he just tells her that when you’ve talked to someone else almost every day of your life, at some point you’re going to run out of things to say. The usual cutesyness of the childhood friends trope gets undercut by the problems in their relationship, one of which is the love triangle between Miwako, Arashi, and their childhood friend, Tokumori.

Most of the chapter is dedicated to Yukari getting to know Miwako better, and her shared past with Tokumori. Miwako is quickly becoming my favorite character in the book. While referring to herself in third person drives me crazy, she’s adorable and chipper, like a ray of technicolor sunshine. Between Arashi’s brash attitude and Yukari’s cynicism, Miwako brings some joy into an otherwise dramatic series.

by booksoverlookedblog

Paradise Kiss 3

I’m still working on the question of “is Paradise Kiss objectively good?” as I read through this book. To be honest, I’m liking it a lot more than I thought I would. One thing that I forgot about romance manga, though, is that the plot and character development tends to move more slowly than, say, an action or fantasy manga. And there’s nothing wrong with that. Romance isn’t just about the main characters falling in love, or the steamy scenes everyone looks forward to. They’re about attraction, longing, and the tantalizing conflicts that make the relationship seem impossible.

A good romance needs nuance and realism without leaving behind the fantasy: of a gorgeous man stealing a kiss, or a smile from that mysterious woman on the train, or that meet-cute in the book store you’ve always secretly wanted.

The third chapter of Paradise Kiss shows us the first real interaction between Yukari, and her future lover, George. At least, first interaction where Yukari isn’t freaking out.

The slow pace feels relaxing and real as they meet “by chance” in the library, though Yukari later learns that George had planned it. There, she starts to see another side of George, one that wasn’t apparent when she herself was being swept away – literally – by the other characters who want Yukari to model for them. In this one-on-one setting, Yukari starts to see George’s ambition and work ethic. She’s also envious that George knows what he wants to do with his life and has a dream, while Yukari isn’t sure what hers really is.

Yukari’s inner conflict about not knowing what she wants to do is very relatable. Like many people, she’s done what she’s been told: good family, good background, go to school, prepare for college. This hasn’t made her happy, and she doesn’t know, exactly, what will. She doesn’t know what her passions are. It’s an uncomfortable place to be. If the Paradise Kiss students are shining stars, Yukari is a white dwarf.

The real significance of this scene is that Yukari shares her troubles and feelings with George. Before, we’ve only known about them through her narration, and she’s moved to tears because George wanted to listen to her problems. Which kind of makes me wonder, what kind of lonely life does she have, where George is the only person who wants to listen to her?

by booksoverlookedblog

Paradise Kiss 2: Meet the Cast

The second chapter of Paradise Kiss gives us a proper introduction to George, Yukari’s love interest. Yukari had left her student passbook at the studio, and George takes Yukari to his high school with the promise of returning it. Yukari is more than a little freaked out when he picks her up, especially after George’s cryptic promise to take her to “Paradise”.

In this chapter we learn more about our cast, and I was a little surprised to find that I actually liked Yukari this time around. When I first read this years ago, I thought she was just a downer, who spent most of her time complaining and being stand-offish. Now I understand her character better. She’s a young woman who’s uncertain what she wants to do with her life, but knows that she wants something more than what she has now. Everyone can relate to that.

George, on the other hand…I never liked George. When I was younger, he struck me as too arrogant to be truly likable, and too forward with Yukari for me to be comfortable with. At the moment I can’t cast judgement on the romance aspect of their relationship, as it doesn’t start until the end of the book, but I can still say that his arrogance remains intact, and I still don’t like him for it.

Then there are the others in “Paradise Kiss”, the fashion studio that George and his friends run. This chapter focuses on Miwako and Arashi, with the pattern designer Isabella out of the spotlight. As much as I hate the way Miwako talks (culturally relevant, yes, but still annoying), I can’t help but like her. She’s bright and sunny and struggles with her own insecurities as an artist. For example, Miwako’s older sister is also a fashion designer, and Miwako wanted to follow her sister’s footsteps. However, Miwako also says that she’s not talented enough to be a designer. Everything she designs comes out looking too much like something her sister would make, and she doesn’t have an artistic style of her own.

That one stung a little bit. When I was a kid, I wanted to do everything my sister did. I grew out of that, but I still admire my older sister and look up to her in a lot of ways. But I also understand Miwako’s self-doubt, especially as I’m trying to make a career for myself as a writer. You’re worried about finding an original idea, or everything sounds the same, or comes to close to a book you’re reading. It can be a struggle to find your own voice. Miwako has kind of given up on doing just that, but is still dedicated to helping George and making clothes.

Then there’s Arashi. My question is: is he supposed to be British? Like, a British punk? He frequently says “blimey” and his dialogue is written to evoke a vaguely English accent. But he’s Japanese, right? I don’t recall any backstory where Arashi went to England for a study abroad, or anything like that…

That said, Arashi’s speaking patterns may have something to do with dialect, regional language differences. These are details that may be a bit confusing when translating a manga from Japanese too English. For example, in one translated manga I read, a Kansai dialect was written to sound like a country accent, or slang. Is this just Tokyopop’s way of trying to do that?

As for the character  himself…Are you British or not?!when I picked the manga up for the first time, Arashi was the character I really wanted to like. I loved his punk look, especially the safety pin lip ring.

But he’s rude and abrasive, though at the time I allowed his perceived hotness to make up for that. Now that the hotness factor has faded for me, he’s just a jerk. Miwako, why are you dating him? You could do so much better.